Friday, December 5

Tag: Liverpool Philharmonic Hall

Mozart Symphony No. 41, Jupiter – Liverpool Philharmonic Hall
North West

Mozart Symphony No. 41, Jupiter – Liverpool Philharmonic Hall

Upon simply stepping into the Philharmonic hall there is a sense of calm to be felt and the concerts in this grand venue are a welcome outing to be had. The afternoon’s concert was principal cellist Jonathan Aasgaard’s last with the orchestra and so the afternoon began with a celebration of his career and a speech from the man himself. Here he celebrated his colleagues and noted how lucky Liverpool is to house the orchestra in the city. Aasgaard also noted how the musicians make playing look easy, but that they all work incredibly hard. The audience shared their agreement and the concert began on a high after a wonderful community moment. Conducted by Domingo Hindoyan, the afternoon focused around Mozart’s last symphony No.41 Jupiter which is split into four movements. Surprisingly, ...
Simon Boccanegra – Royal Liverpool Philharmonic
North West

Simon Boccanegra – Royal Liverpool Philharmonic

Director PJ Harris’ dramatic concert staging of Verdi’s 1881 version of Simon Boccanegra for Opera North is an absolute joy, a true sensory delight for the ear and eye. A Prologue establishes that Boccanegra (Roland Wood), a plebeian, is about to become the first elected Doge of Genoa. But he loves – and has secretly had a child with – Maria, the daughter of his political rival and sworn enemy, Jacopo Fiesco (Vazgen Gazaryan), a patrician. When Maria dies, the baby disappears. Fast forward 25 years and Fiasco is in hiding under the alias Andrea Grimaldi and plotting his revenge against Boccanegra who is still in power. He has become guardian to an orphan girl named Amelia (Sara Cortolezzis) who it later transpires is his missing granddaughter. She wants to marry Gabriele Adorno (Andr...
Nobuyuki Tsujii – Philharmonic Hall, Liverpool
North West

Nobuyuki Tsujii – Philharmonic Hall, Liverpool

What amazed me about pianist Nobuyuki Tsujii’s concert at the Philharmonic Hall was not the virtuosic playing, the passion he brought out in the music, the meticulous attention to detail or even the width and depth of emotion wrung out of every last piece.  In these days of music on demand, with Spotify, Apple Music, or BBC Radio 3 through BBC Sounds, it is easy to take for granted our ease of access to world class performances.  And to think we can all access them via mobile devices which fit into the palm of our hand, even if the wireless headphones much in vogue these days make us look more like we’re in the US Secret Service on Presidential protection duty.  Or perhaps that’s just my son. No, I was entranced by understanding the process by which Tsujii learns the repe...
Sheku Kanneh-Mason performs Weinberg – Royal Liverpool Philharmonic Orchestra
North West

Sheku Kanneh-Mason performs Weinberg – Royal Liverpool Philharmonic Orchestra

I don’t know how many people my age will remember what they were doing on their 25th birthday.  I certainly don’t – probably some real ale bar in Oxford with sticky floors and beer at £2 per pint.  But Shekhu Kanneh-Mason, superstar cellist and the third of seven ridiculously talented musician siblings, may well remember the rapturous reception (and impromptu rendition of ‘Happy Birthday’) he received from the audience at Liverpool’s Philharmonic Hall last night on the occasion of his reaching a quarter-century. The curtain-raiser was Samuel Coleridge-Taylor’s Ballade for Orchestra.  Born in London in 1875 to an English mother and Sierra Leonean medical student father, Samuel was named after the poet Samuel Taylor Coleridge.  When the Three Choirs Festival wished to ...
Bach St Matthew’s Passion – Liverpool Philharmonic Hall
North West

Bach St Matthew’s Passion – Liverpool Philharmonic Hall

Revered as one of the greatest choral works ever composed, Bach's St Matthew's Passion is a timeless classic. This performance is to Mendelssohn's arrangement and is sung in German. An emotional, complex and challenging work - a challenge which the Liverpool Philharmonic Orchestra and Choir rise to. The stage is packed and the anticipation is palpable. With a quick nod to the audience, conductor Andrew Manze is keen to get going and promptly launches the room into the evening. Dark, throbbing chords echo like a pulse as the opening chorus of The Passion begins. As well as the full Royal Liverpool Philharmonic Choir, the Youth Choir are present for the opening chorus with chorale. The sound is alarmingly mournful. Carrying an edge of dystopia with it, the layers of the choir ring a...
Gianni Schicchi – Liverpool Philharmonic Hall
North West

Gianni Schicchi – Liverpool Philharmonic Hall

Gianni Schicchi is one part of Il trittico, a collection of three one-act operas by Giacomo Puccini, with the link in the final work illustrating that each opera deals with the concealment of a death. Whilst originally intended to be played as a set, it has been more usual to play individually or pair with another one-act opera by another composer. Here, the Royal Liverpool Philharmonic Orchestra conducted by Dominic Hindoyan, serve up a further variation with excerpts from different composers providing the warm-up in the first half before the comic deception of Gianni Schicchi, performed in Italian with English surtitles, is unleashed. Commencing proceedings were a couple of Puccini pairings with La Tregenda (Le Villi, Act II) making for an energetic and frenetic start before slipping ...
Mozart’s Requiem – Liverpool Philharmonic Hall
North West

Mozart’s Requiem – Liverpool Philharmonic Hall

Transporting the audience back to 18th Century Vienna, Mozart's Requiem does not disappoint. The orchestra, conducted by Award-winning German conductor Corinna Niemeyer, was complemented by appearances from Victoria Randem (soprano), Eléonore Pancrazi (mezzo-soprano), Stuart Jackson (tenor) and Benjamin Appl (baritone). The Royal Liverpool Philharmonic Choir were in full, lively voice. Opening with Haydn's Symphony No.49, La Passione, the concert began as it meant to go on. Niemeyer animatedly gesticulated at the front to lead the orchestra through the allegro piece, paying particular attention to the contrasts between loud and quiet, light and dark. Haydn's work is written in the 'storm and urge' style with a somewhat unusual structure for the time. All four movements are in F minor...
<strong>Alpine Symphony – Liverpool Philharmonic Hall</strong>
North East

Alpine Symphony – Liverpool Philharmonic Hall

As the lights dim and the chatter quietens, conductor and violinist Nikolaj Szeps-Znaider takes his place at the front of the stage. The orchestra sits poised for action. The first note is played and so begins an adventurous musical journey. The concert at Liverpool Philharmonic Hall is comprised of two halves; the first is a relatively short rendition of Max Bruch's Violin Concerto No.1, Op.26, and the second is the more epic Alpine Symphony by Richard Strauss. Embraced by a full orchestra, Nikolaj Szeps-Znaider doubles-up on his role for the first half, participating as the solo violinist and intermittently conducting the ensemble. Opening with delicate drama and tension, the room is quickly captivated. Seamlessly, Szeps-Znaider draws spectators into a sound bubble with him and the...
<strong>Puccini’s Messa di Gloria – Liverpool Philharmonic Hall</strong>
North West

Puccini’s Messa di Gloria – Liverpool Philharmonic Hall

I’ve often wondered what factors go into the decision of programming classical music concerts. Apart from the logistical decisions, on an artistic level, there must be well-known and well-loved pieces to attract the audience’s attention and guarantee ticket-sales, while also drawing in audiences by offering something new and/or challenging. Last night’s concert at the Liverpool Philharmonic managed to resolve this conundrum by a combination of two well-known and one far less well-known piece while triumphing in all three.  That said, Debussy’s symphonic Prélude à l’après-midi d’un faune and what he called the "three symphonic sketches” that form La Mer, now familiar to and much loved by audiences around the world, were new and challenging for the audiences that first heard them in ...
<strong>Variations – Liverpool Philharmonic Hall</strong>
North West

Variations – Liverpool Philharmonic Hall

This concert performance by one of Europe’s leading orchestra’s The Royal Liverpool Philharmonic Orchestra is conducted by the recently appointed Domingo Hindoyan.  Hindoyan exudes a great deal of passion throughout tonight’s eclectic and varied programme of classical music. The programme consisted of four pieces of exquisite music from three of the most outstanding composers of their generation – Bartok, Dohnanyi and Dvorak. Dvorak’s Slavic Dance op.72 no 2 is performed as a heartfelt tribute to former principal conductor Libor Pesek (1987 until 1997.) This is a short but sweet piece of melodious classical dance with sweeping strings and delicate lightness of touch. It is performed to perfection by the orchestra. Dohnanyi’s Variations on a Nursery Tune is a delightful and wi...