Tuesday, November 5

Tag: Lise Davidsen

La Forza del Destino – Met Opera Live in HD
REVIEWS

La Forza del Destino – Met Opera Live in HD

It has been some thirty years since there was a new production of this opera at the Met and twenty years since that’s last production with a more recent attempt in 2017 faltering due to financial reasons. Well, the financial challenges remain, as they do for all of us, so it was a treat to take in Director Mariusz Treliński’s dark contemporary re-telling which coming in at almost four and a half hours, including two intervals, is a big production in every sense. Leonora (Lise Davidsen) plans to elope with Alvaro (Brian Jagde) but when her father, the Marquis of Calatrava (Soloman Howard), storms in, Alvaro’s attempts to make peace accidentally results in her father’s death. Leonora flees from her revengeful brother, Carlo (Igor Golovatenko), and whilst Preziosilla (Judit Kutasi) sings a...
Der Rosenkavalier – MET Opera Live in HD
REVIEWS

Der Rosenkavalier – MET Opera Live in HD

Paula Suozzi’s revival of Robert Carsen’s 2017 production, which moved the setting from the cusp of revolution in the 18th century to the brink of World War I in 1911, the year in which it premiered, remains eerily evocative with its tale straddling three generations, the imminent collapse of the old order, the uncertainty of what is to come, and the maturity to accept both. The Marschallin (Lise Davidsen) is having an affair with the young count Octavian (Samantha Hankey) whilst her country cousin, Baron Ochs (Gunther Groissböck) is engaged to Sophie (Erin Morley), the young daughter of a nouveau-riche arms dealer, Faninal (Brian Mulligan).  When Ochs meets Octavian, hastily disguised as a chambermaid to avoid discovery, he makes advances towards ‘her’ and the Marschallin is appal...
Beethoven’s Fidelio – Royal Opera House
London

Beethoven’s Fidelio – Royal Opera House

Recorded just prior to lockdown and largely unedited, conductor Antonio Pappano introduces a new production of Beethoven's only opera, Fidelio, from the Royal Opera House, a story of risk and triumph against a backdrop of revolution, with Tobias Kratzer’s new staging, including some dialogue changes, bringing together the dark reality of the Reign of Terror during the French Revolution and the conflicts of the modern age to illuminate Fidelio’s inspiring message of a common humanity. This is very much an opera of two halves with Act One in period as Leonore (Lise Davidsen) attempts to locate her husband, Florestan (David Butt Philip) who is a political prisoner incarcerated in a secret dungeon and subject to torture from the governor of the prison, Don Pizarro (Simon Neal). To secure a ...