Laura Crow Archives - North West End UK

24Aug

By H.S. BakerNo Comments

Scotland

Earwig – Assembly Rooms

Impeccable timing, fine acting and sustained energy are what make this short play well worthy of a five-star rating. Too short really, I couldn’t believe an hour had passed so quickly and left the venue wanting more. This perky play, set in the silent movie era of the roaring ‘20s, tells the story of Marigold. Now a young woman, Marigold has been deaf since the age of five after contracting meningitis, she now lip reads and speaks perfectly. Although never formally qualified, Marigold has a passion for insects and has become an expert in the field of entomology. She lives with her mother, a snobbish northern woman with aspirations for herself and her daughter that have nothing to do with Marigold’s passion for creepy crawlies. She marries Marigo...

A Midsummer Night’s Dream – International Anthony Burgess Foundation

Set in the 1980s, Time & Again's production of A Midsummer Night’s Dream is certainly an interesting take on the Shakespeare classic. Up until now this production had been staged outdoors in parks across the country, this seemed liked the first indoor production. You can tell a lot of thought has gone into this production and interpretation from Directors Laura Crow and Jon Turner. Comparing the Rude Mechanicals to the striking miners of the 1980s is a really fascinating concept. Also, the costumes are just absolutely on point - I'm sure the local charity shops were raided but I think we had it all from 'Frankie Says Relax' to the iconic 1980s perm. You can see there is more than a nod to the new romantics' movement taken for inspiration here. However, I must admit one thing I wa...

Much Ado About Nothing – Victoria Baths

For one night only, the stunning Victoria Baths in Manchester is converted into the Messina Holiday Camp, as the Time & Again Theatre Company bring their touring production of 'Much Ado About Nothing' indoors into this stunning Edwardian water palace. Substituting the location of Shakespeare's most performed comedy from 16th Century Sicily to a 1950's British seaside resort may seem incongruous, but it allows the deck chair and parasol props to be placed in an idealised fantasy world, utilising the sumptuous fabric of the building to create a convincing whole. In addition to the relocation, the company made the decision to cast some of the leading roles as female to represent the existence of same sex relationships in every period of history, even buttoned up post-war Britain. This ...