King's Head Theatre Archives - North West End UK

3Jul

By Gonzalo SentanaNo Comments

London

La Copla – King’s Head Theatre

What is Copla? How can we understand such a unique expression of Spanish identity? Welcome to La copla, where you will learn about passion and music in a very amusing way. In this very interesting cross over between theatre and documentary, full of music, video and songs, we see Alejandro Postigo, also author of the text, going through his connection with Copla songs and his Spanish heritage. Directed by Sergio Maggiolo, and with Jazmine Mitts as Assistant Director, the play is a fresh mix of acting, singing and projections of examples of the Copla music, as well as some other material which the performer connects through his unique perspective to the idea of Copla. The Video Design, by Ricardo Ferreira, is very detailed, and does not overwhelm the audience or steal the thunder from the...

The Ghosting of Rabbie Burns – King’s Head Theatre

A heartbroken young woman (Emily Ashton) retreats into a cottage, frantically trying to rearrange it. As the realisation of being alone on Burns Night dawns upon her, she sinks into her chair. Little does she expect to be joined by Robert Burns (Kieran Francis Begley) himself! After testing whether he is the ghost of the real man himself through a laboured quiz on dates of publication of his plays, she is somewhat satisfied. Interspersed with song, which brings a lovely energy to the show, he tries to give her dating advice and ends up taking her through a, (again) quite laboured, practice date which only increases her frustration. The story ends with him literally ghosting her (though, to be fair, with warning) and some new insights spark for this young woman. From the outset, Begley p...

I Wish My Life Were Like a Musical – King’s Head Theatre

A stage, four performers and a pianist is all it takes to put on this witty love letter to the stage. This clever parody piece pokes fun at the musical theatre art form, with just the right number of big notes and jazz hands. The show consists of stand-alone songs, some duets and small inputs from the performers to keep it moving along. The first song parodies traditional opening numbers of popular shows, with slick choreography (also by the director, Chris Whittaker) and complex four-part harmonies. Alexander S. Bermange’s writing is brilliantly satirical and an absolute treat for musical theatre fans. The writing does not shy away from the ridiculousness of the genre either. It takes multiple digs at the dramatics involved, and has whole songs dedicated to divas and unworthy star c...