Thursday, July 30

Tag: Kenneth Branagh

The Cherry Orchard – Royal Shakespeare Company, Stratford-upon-Avon
West Midlands

The Cherry Orchard – Royal Shakespeare Company, Stratford-upon-Avon

There is a temptation with The Cherry Orchard to treat it as a museum piece: a wistful farewell to a vanished aristocratic world wrapped in reverential melancholy. Laura Wade’s ambitious new version, directed by Tamara Harvey for the Royal Shakespeare Company, refuses to preserve Chekhov in aspic. It brings freshness and immediacy to one of theatre’s greatest farewell plays, though its determination to find contemporary clarity occasionally comes at the expense of some of the original’s quieter poetry and ambiguity. Written specifically for Harvey, the Swan Theatre and this ensemble, Wade’s adaptation is less concerned with reproducing Chekhov’s exact cadences than capturing the emotional and political forces beneath them. Purists may notice the freer language and sharper rhythms, but t...
King Lear – Wyndham’s Theatre
London

King Lear – Wyndham’s Theatre

Written in 1604, King Lear is sandwiched between Measure For Measure, Othello and Macbeth, a period in the bard’s writing dedicated to history and tragedy.  419 years later, and following many extraordinary performances, how can Kenneth Branagh and team bring something different to their production?  And here is where I feel that some modern productions fall foul, the need to modernise and bring today’s razzamatazz into the equation.  Call me old fashioned, call me a Shakespeare prude, but I want to see, hear, and feel the language, the small nuances that a blank stage can offer, and when I hear the words spoken, allow them to touch me, without the hinderance of external factors introduced by an over eager director wishing to put their own mark on Shakespeare’s work.  S...