Kate Fleetwood Archives - North West End UK

6Jul

By Stewart Who?No Comments

London

Medea Gosperia – The Cockpit

I have a mild obsession with Medea, prompted by the realisation that there is not enough time to read, study and analyse The Classics, so probably wise to just focus on one banger until the coffin lid closes on my life. It was Rachel Cusk’s brilliant vision of the Euripides shocker at the Almeida which put me on this path. Kate Fleetwood’s performance and the entire production blew my mind. It moved me as a piece of theatre, but also turned me on to the text. This nouveau fevered enthusiasm led me to the 1969 Pier Paolo Pasolini film with Maria Callas, which gave me full-blown Medea mania. Medea Gosperia is presented as a ‘brand new jazz/gospel opera’ which in many ways, ticked a lot of boxes for me, but led to widespread hoots and horror when mentioned to my peers. It’s fair to ...

A View From The Bridge – Theatre Royal Haymarket

5Jun

By Eleanor HallNo Comments

London

A View From The Bridge – Theatre Royal Haymarket

Arthur Miller’s encapsulating tragedy of the 1950s stands the test of time. This production remains faithful to Miller’s story centred on an American-Italian family, which brews themes of blood, honour, love and instinct, to ultimately boil beneath the skin of the law and authorities. Eddie, our protagonist, beholds a tangled idea of himself as his niece Kathryn’s father-lover. Throughout the course of the action, he pursues what he believes to be just for his niece. It is in this warped sense of justice that Eddie’s anger and self-martyrisation become wrapped up in his ideals of nationalism, patriarchy, and a fostered fatherhood. The set was comprised of contemporary facades of buildings, perhaps emphasising the protective walls between the immigrant family members and authority, and ...

101 Dalmatians – Regent’s Park Open Air Theatre

23Jul

By Robert BartleyNo Comments

London

101 Dalmatians – Regent’s Park Open Air Theatre

Loosely based on the 1956 classic tale by Dodie Smith, ‘101 Dalmatians’ see Dominic and Danielle literally bumping into each other and falling in love while out walking their dotty dogs Pongo and Perdi. Local influencer Cruella DeVil thinks the dogs would look great in her upcoming photoshoot, but during the shoot, the dogs severe dislike of Cruella causes one of them to bite her. She attacks the dogs with a stick, and her retaliation is caught on social media, going viral within minutes. Cruella quickly swears revenge on the dogs, and plots to dognap the spotted pooches and make herself a coat that no-one will ever forget. It’s a timeless story that audiences already knows, but does the Regent’s Park production have legs, or is it more of a dog’s dinner? Visually, the show...

19Nov

By Paul DownhamNo Comments

REVIEWS

Macbeth – The Shows Must Go On

Macbeth is a TV film version of the 2007 Chichester Festival Theatre production of William Shakespeare's tragedy directed by Rupert Goold and starring Sir Patrick Stewart and Kate Fleetwood as Lord and Lady Macbeth. The film was shot entirely at Welbeck Abbey and makes full use of its larger halls and dingier corridors, and a much more limited use of its exteriors. These often almost empty but gigantic rooms (and peeling paint in the war scenes) and the almost total lack of exterior scenes in the first half evoke an almost apocalyptic underground world in which sunshine and fresh air may be (but seldom is) reached via the lift some characters disappear into. The costumes, props and stock footage evoke the Soviet Block in the Cold War, specifically Romania in the 1960s, thus establishin...