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Tuesday, March 25

Tag: Joseph Millson

The Merchant of Venice 1936 – The Lowry
North West

The Merchant of Venice 1936 – The Lowry

The timing of this production could not be better, setting as it does one of Shakespeare’s most problematic plays amid the rise and fall of Oswald Mosley’s British Union of Fascists in mid-thirties England. With certain tech giants performing “Roman salutes” and the frightening rise of fascist political parties taking place across Europe, we seem to be returning to the dark days of the 1930s. This adaptation of Shakespeare’s play powerfully brings to life the vicious remorselessness of bigotry and how it can be fought and defeated. Projected onto the back wall were the sensationalist antisemitic headlines of the day, newsreel clips of fascist marches and Mosley’s call for “Britain First.” The frightening echoes of what is happening now were stark but the play also reminded us that th...
The Merchant of Venice 1936 – Leeds Playhouse
Yorkshire & Humber

The Merchant of Venice 1936 – Leeds Playhouse

There’s always a feeling of trepidation when creatives shift The Bard’s words into a more contemporary setting, but this production of an always controversial play completely resonates with the troubled times we live in This adaptation by former Eastender Tracy-Ann Oberman and director Brigid Larmour is set in 1936 around the Battle of Cable Street in London’s East End as working class Jews and their allies stood together to kick Oswald Mosley’s British Union of Fascists off their streets. Here the characters are on both sides of this bitter political battle.  Sound familiar? Oberman is the first female Shylock becoming an East End money lender living off Cable Street who strikes a deal with Fascist noble Antonio, which has disastrous consequences for the single mum. This is a l...
The Merchant of Venice 1936 – Liverpool Playhouse
North West

The Merchant of Venice 1936 – Liverpool Playhouse

The authenticity in this production is what struck me at rst, with the Jewish culture and language centre-stage for the preamble. And it didn’t matter that we may not understand what they were saying or doing, it was unapologetic. A sentiment carried through the whole production, which was a novel idea, as it gave the relic script a new tenacity and sense of place in the present which is far removed from when Shakespeare was writing. That authenticity is also what made me realise that this piece really was an example of how these celebrated plays can be relevant to today and still teach us something about the human condition. The cast, albeit small, was able to take on the responsibility of a much larger selection of characters. Their ability to multirole was not only impressive but ...
Angela – Royal Lyceum Theatre/Pitlochry Festival Theatre online
Scotland

Angela – Royal Lyceum Theatre/Pitlochry Festival Theatre online

Mark Ravenhill has taken us to some dark places over the years but none more so than with this unflinching account of his beloved mother Angela’s final dementia journey. But this debut audio collaboration between the Royal Lyceum Theatre and Pitlochry Festival Theatre is as much about class, thwarted ambition and shared memories as it is about a condition that affects nearly a million people across the UK. From the moment the young Angela – subtly played by Matti Houghton – changes her name from the too ‘common’ Rita to Angela you sense this is an intelligent working class woman with artistic ambitions. Her short am dram career is cut short by marriage to engineer Ted, and any ambition to take it further disappears. A pertinent point when the acting profession is increasingly posh an...
Pam Ferris and Toby Jones lead strong cast for Mark Ravenhill’s new play
NEWS

Pam Ferris and Toby Jones lead strong cast for Mark Ravenhill’s new play

Call The Midwife’s Pam Ferris and Detectorists star Toby Jones lead a strong cast for Mark Ravenhill’s new play Angela The Royal Lyceum Theatre Edinburgh and Pitlochry Festival Theatre, in association with Naked Productions and BBC Radio 3, are presenting the auto-biographical work as part of their new online Sound Stage project airing from 26th – 28th March with tickets going on general sale from Monday 22nd February. Angela centres on the playwright’s mother at the age of 84, and living with dementia, as she looks back across her life intercutting between old age, her memories and mind failing, and her youth. Ravenhill explores her growing up, moving away from her roots as the world of drama welcomed her. Angela looks at her struggle with depression and the challenges of her...