Monday, October 12

Tag: Jennifer Adam

Balisong – Traverse Theatre
Scotland

Balisong – Traverse Theatre

Short but perfectly formed, Balisong occasionally comes perilously close to feeling like a public-information film about the dangers of knives. But perhaps that is hardly surprising. Jennifer Adam's play was originally commissioned by No Knives Better Lives, produced with Fast Forward and developed in consultation with young people. It was subsequently recommissioned twice and, between 2017 and 2019, toured schools in every local authority in Scotland. And yet, sitting in the Traverse, I can't help being affected by it. Isn't that, after all, one of the points of theatre? To write something with purpose, with an allegory; something that seeks not merely to entertain but perhaps to make a difference? Its timing is particularly poignant. A few miles away in Leith stands t...
HER – Traverse Theatre
Scotland

HER – Traverse Theatre

What would you do if you knew explicit photos of a young schoolgirl were being leaked? Would you do anything? Have you done anything? We’ve all witnessed situations like this before—it’s an all-too-common scenario, so common in fact that most people wouldn’t bat an eye. HER, produced by Strange Town and written by Jennifer Adam, confronts the audience directly, urging us to stand up and take action. The play insists that there is no such thing as an innocent bystander. Fast-paced and quick-witted, we are swept into the heart of the school by our two schoolkid narrators, B1 and B2, played by Zara-Louise Kennedy and Alex Tait. The pair move deftly through a multitude of characters, from teenage bams to ostentatious patrons of the fancy restaurant where HER (Eleanor McMahon) works. While t...
Tandem Writing Collective – Traverse Theatre
Scotland

Tandem Writing Collective – Traverse Theatre

Established, run and directed by playwrights, Amy Hawes, Jennifer Adam and Mhairi Quinn, Tandem puts on new scripts by the three writers, performed script in hand here by Debbie Cannon, Vivien Reid, Lucy Goldie, and Calum Barbour, with musical accompaniment by Aaron McGregor (who composed all the music with the exception of one piece) and Lucia Capellaro. In “Divide and Conquer” a mother-in-law and furloughed son-in-law deal with forced cohabitation during a Covid lockdown. In “Tying The Knot” (which is based on some real events), a woman hires an online ancestry website called whoami.com to find out about the family she was adopted from with disturbing results. “Heartbrain” is a monologue about life and leasing with your heart. "Swing 'Till You're Winning” follows an understudy who loc...