Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, April 6

Tag: Iván López-Reynoso

Don Pasquale – Teatro Donizetti, Bergamo
REVIEWS

Don Pasquale – Teatro Donizetti, Bergamo

Director Amélie Niermeyer has bravely adopted a modern interpretation of Donizetti’s classic comedy opera in this new production by the Fondazione Teatro Donizetti, but at the end of the day, there’s just too much going on which becomes a distraction and disrupts the singing. In Rome, the old and rich Don Pasquale da Corneto (Roberto de Candia) has decided to disinherit his nephew Ernesto (Javier Camarena), guilty of having refused the hand of a rich spinster because he is in love with Norina (Giulia Mazzola), a poor young widow. Despite his age, and in order to have an offspring, Don Pasquale therefore decides to marry and instructs Doctor Malatesta (Dario Sogos) to find him a wife. Malatesta, who is actually a close friend of Ernesto’s, extols the virtues of his ‘sister’ Sofronia, who...