Hello, The Hell: Othello – Assembly Rooms
Love. Murder. Regret. Agony. Love. Murder. Regret. Agony. Love...
The repetition of his crime is something Othello fights with every fibre of his being as he faces aeons of punishment in hell. While he is tortured by nightmares, trapped and riddled with pain if he leaves his cage / shrine, Iago somehow roams freely, able to torment him even further.
With Desdemona, these antagonists play out scenes of the past and of how Othello wishes to change it. The focused performances are supported by often dramatic music, while costume and lighting colours of red, black, white and gold are striking across a floor of red cloths with just a few hints of white. Knotted hangings form Othello’s cell and other restrictions within the space, completely filled by performers’ movements, which draw on ...