Tag: Helen Hunt

There is a temptation with The Cherry Orchard to treat it as a museum piece: a wistful farewell to a vanished aristocratic world wrapped in reverential melancholy. Laura Wade’s ambitious new version, directed by Tamara Harvey for the Royal Shakespeare Company, refuses to preserve Chekhov in aspic. It brings freshness and immediacy to one of theatre’s greatest farewell plays, though its determination to find contemporary clarity occasionally comes at the expense of some of the original’s quieter poetry and ambiguity. Written specifically for Harvey, the Swan Theatre and this ensemble, Wade’s adaptation is less concerned with reproducing Chekhov’s exact cadences than capturing the emotional and political forces beneath them. Purists may notice the freer language and sharper rhythms, but t...