Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Wednesday, April 2

Tag: Happy Days

Happy Days – Birmingham Rep
West Midlands

Happy Days – Birmingham Rep

Only on leaving the theatre are you struck by what a phenomenal feat of memory you’ve just witnessed. That alone justified Siobhan McSweeney’s standing ovation from a grateful, and perhaps slightly bemused audience, last night at the Birmingham Rep. Grateful because it is a stunning achievement. Dame Peggy Ashcroft, who had a fair crack at the part herself, describes the leading role, Winnie, as “one of those parts, I believe, that actresses will want to play in the way that actors aim at Hamlet - a summit part.” And bemused, because unlike Van Gogh whose work was misunderstand in his lifetime, but in time came to be embraced, Beckett’s work continues to be defiantly cryptic, mercurial and inaccessible in any conventional sense. We are met with mounds of sands. Location and time unspeci...
Happy Days – Riverside Studios
London

Happy Days – Riverside Studios

Celebrating 60 years of Samuel Beckett’s much-acclaimed play, this special revival of ‘Happy Days’ has Lisa Dwan take on its titular role of Winnie, a woman buried to her waist in sand as she goes about her daily routine, often remarking to herself that indeed, “this is a happy day”. Directed by Trevor Nunn and designed by Robert Jones, this production is a stark reminder of the drudgery and futility of the domestic lives we live, caught in a never-ending cycle of repetition and relief as we seek refuge from the same relationships that drive us to the edge. The two-act structure reinforces the central theme of passage of time and how Winnie, through her slow and inexplicable sinking into the sand, is unable to escape the cruelty and disappointment of her perfect life, especially her marria...
Full Cast and Creative Team Announced For the 60th Anniversary Production of Happy Days at Riverside Studios
NEWS

Full Cast and Creative Team Announced For the 60th Anniversary Production of Happy Days at Riverside Studios

Anthology Theatre, in association with Riverside Studios, announces full cast and creatives for the 60th anniversary production of Samuel Beckett’s masterpiece Happy Days, directed by Trevor Nunn. Simon Wolfe plays Willie, joining the previously announced Lisa Dwan as Winnie. Completing the creative team are designer Robert Jones (Fiddler on the Roof, Quiz), lighting designer Tim Mitchell (Upstart Crow, Kinky Boots), sound designer Johnny Edwards (Moorcroft), production manager Matt Towell (Waitress, Come From Away), and costume supervisor Kate Hemstock (The Full Monty, We Will Rock You). The production opens on 20th June at Riverside Studios, where the playwright rehearsed Endgame in 1980 and Waiting for Godot in 1984, with previews from 11th June, and running until 25th July 2021. ...