Gone to the Dogs – Gilded Balloon Teviot – Wine Bar
Conceptually, I was intrigued by this piece. Britannia, written and played by Tsarzi, cut an attractive figure with her cheeky grin and mischievous eyes. The set was messy, stuff all over the place, and Britannia was dozing over her piano as the parody of a Radio 4 broadcast opened the show.
The play explores the decay of the British Empire: the intransigence of the establishment and the older generation to let it go. A pertinent idea for the times. It is for this reason that the stage is scattered with remnants of a former glory. Even the sash worn by royalty on formal occasions is put on, taken off, held up instead of worn - it is an afterthought. Tsarzi sings us through a host of representations of our fading cultural heritage, mostly in refrains on repeat, including the church, the ...