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Sunday, March 16

Tag: Gavin Fowler

The Merchant of Venice 1936 – The Lowry
North West

The Merchant of Venice 1936 – The Lowry

The timing of this production could not be better, setting as it does one of Shakespeare’s most problematic plays amid the rise and fall of Oswald Mosley’s British Union of Fascists in mid-thirties England. With certain tech giants performing “Roman salutes” and the frightening rise of fascist political parties taking place across Europe, we seem to be returning to the dark days of the 1930s. This adaptation of Shakespeare’s play powerfully brings to life the vicious remorselessness of bigotry and how it can be fought and defeated. Projected onto the back wall were the sensationalist antisemitic headlines of the day, newsreel clips of fascist marches and Mosley’s call for “Britain First.” The frightening echoes of what is happening now were stark but the play also reminded us that th...
The Merchant of Venice 1936 – The Criterion Theatre
London

The Merchant of Venice 1936 – The Criterion Theatre

Relocated from the traditional Venice of the 16th century, to 1930’s East End of London, this thoroughly re-worked and re-freshed version of The Merchant of Venice, uses a different period in history to tell its story.  The outline of the story remains unchanged.  Antonio (Raymond Coulthard) hopes to assist his friend Bassiano (Gavin Fowler) who wishes to court the wealthy Portia (Hannah Morrish); by obtaining a loan from Shylock (Tracey-Ann Oberman).  Antonio suffers financial setbacks, and cannot repay the loan, unfortunately, the penalties for this are not financial, Shylock wants her pound of flesh.  And yes, you noticed that Shylock is a woman!  Oberman imagined a Jewish matriarch, inspired by her grandmother who fled an antisemitic country to arrive in Lon...
The Merchant of Venice 1936 – HOME Mcr
North West

The Merchant of Venice 1936 – HOME Mcr

Last weekend saw over 100,000 people attend a rally against antisemitism in central London that took place against reports of a steep rise in hate crime - mostly aimed at the UK Jewish population - and the backdrop of renewed hostilities in Gaza. When trying to understand antisemitism from a literary and historical perspective, it seemed aposite for Director Brigid Larmour and Tracy - Ann Oberman to reset Shakespeare's problematic text amidst the rise of fascism in the East End of London in the mid 1930's. The result allows us to view the actions of the protagonists through an entirely new lens, throwing light on their motives and attitudes and giving the play a fresh and exciting perspective for a modern audience. Oberman had long expressed a desire to portray Shylock as an East End Je...