Forbes Masson Archives - North West End UK

9Jan

By Caroline WorswickNo Comments

London

Orphans – Jermyn Street Theatre

Orphans was written by Philadelphia-born Lyle Kessler and first staged in 1983, directed by Gary Sinise at Chicago’s Steppenwolf Theatre, before going on to a successful Off-Broadway run. Later, in 1986, the play transferred to London’s West End, earning Albert Finney an Olivier Award, followed by a filmed version in 1987. Set in Philadelphia, two brothers, Treat (Chris Walley) and Phillip (Fred Woodley Evans), live a strange life brought on by the abandonment of their father at an early age and the death of their mother. Treat, the elder brother, takes his role as caretaker seriously and has instilled an unhealthy fear of the outside world into Phillip in order to keep him from harm. But what effect will a stranger entering their small world have on the brothers’ relationship? Set d...

The Marlowe Sessions – Marlowe Theatre

Two years ago, I went along to watch the recording of Tamburlaine II, intrigued by this ambitious plan to record all seven of Christopher Marlowe’s plays in quick succession, here is the link to my interview with one of the cast members Alan Cox - https://northwestend.com/spotlight-on-actor-alan-cox-and-the-marlowe-sessions-at-the-malthouse-theatre-canterbury/, which sheds some light on this project. Christopher Marlowe (1564-1593) the poet/playwright, was controversial to say the least, his open homosexuality during a period of gay sex being outlawed, atheism, and his involvement as a spy for Sir Francis Walsingham, are evidence enough of his unorthodox thinking. This spilled over into his plays, the blood thirsty Tamburlaine, the gay Edward II, and the ambitious necromancer, Doc...

Jekyll and Hyde – Royal Lyceum Theatre

This adaptation by Gary McNair of Robert Louis Stevenson's novel, is keen to point to its source's Edinburgh roots, though mostly through the programme and the lead (and only) actor's Scottish accent. Unlike some recent productions of Great Expectations or Dracula however, it stops short of relocating the story to Scotland. But even the medium of a play represents a coming home of sorts: this story began with the true tale of furniture-maker and lock-breaker Deacon Brodie, about whom Louis Stevenson first co-wrote a play entitled Deacon Brodie, or The Double Life, though it was his later retooling of the idea of duality into the novella Strange Case of Dr. Jekyll and Mr. Hyde which would find lasting success. The story is well-known (spoilers) for its crucial dual role, which lead at...