Finborough Theatre Archives - Page 2 of 2

18Jun

By Riana HowarthNo Comments

London

Darkie Armo Girl – Finborough Theatre

Karine Bedrossian stuns in her fast-paced one-woman play. Her rollercoaster of a journey begins as a sprightly eight-year-old with a passion for dance who struggles with a lack of belonging and isolation due to her Armenian heritage. As she grows up and as her unhealed wounds take hold, she relentlessly searches for some kind of peace or fulfilment amongst chaos. Bedrossian’s writing is excellent with witty dialogue, dark humour, and a strong narrative thread. It is almost like reading a diary, with its intimacy and unabashed truthfulness. The events are retold in an unanticipated and sporadic way, much like Karine’s buzzing character which is exciting and dizzying to watch. She is emotionally raw and engaging without any indulgence or pretence. There is an honesty and concentration...

20May

By Paul AckroydNo Comments

London

Bliss – Finborough Theatre

This is a new play by Fraser Grace, based upon a short story written by Andrey Platanov in 1936, and tells the story of Nikita Firsov, a soldier returning from the Russian Civil War in 1921. It is a portrayal of what we would now call the effects of battlefield PTSD, but which at that time was not specifically recognised, and also shows the grim reality of life for the rural peasantry in Russia at this time of famine and political upheaval. The pace of the play mirrors the harshness of the prevailing conditions. It is slow-moving, with many pauses, and everything about the production contributed to depicting the dreariness and struggle of the life of the characters. The acting was universally excellent. Jesse Rutherford as the returning soldier, Nikita, and Bess Roche as the girl to wh...

26Nov

By Alice RoseNo Comments

London

Yes So I Said Yes – Finborough Theatre

David Ireland is known for his particularly absurd, political and wildly unpredictable pieces. This new play does not fail to reach and exceed the marks he has set for himself. David was commissioned, along with Robert Anthony Welch to write in response to the 100th anniversary of the Partition and what was created was an utter shock from start to end. Starting with only tiptoeing into dark territory to then diving head first to the end of the dark comedy spectrum. This piece does push buttons and people- but that is the intention. The piece follows ‘Snuffy’ (Daragh O’Malley) a Northern Irish protestant who begins in a Doctors office asking for advice on his neighbour’s dog who is constantly barking, so much so that he cannot sleep at night. Although he asks the neighbour to keep his d...

5Nov

By Caroline WorswickNo Comments

London

The Sugar House – Finborough Theatre

‘The Sugar House’ receives its first production outside of Australia after being nominated for ‘Best New Australian Work in the Sydney Theatre Awards after a showing at the Belvoir Street Theatre in 2018. The Finborough Theatre is renowned for breathing new life into old rarely performed plays or helping new writers to establish themselves. Alana Valentine has written a very powerful, thought-provoking play set in three different time periods. It begins in 2007, with Narelle Macreadie (Jessica Zerlina Leafe) looking around a posh flat in Sydney which was situated in a converted sugar factory. It becomes clear that this building stimulates old memories, and she begins to reminisce about her childhood, spending time with her father Sidney Macreadie (Patrick Toomey) who worked at the fact...

How To Survive An Apocalypse – Finborough Theatre

1Oct

By Carole GordonNo Comments

London

How To Survive An Apocalypse – Finborough Theatre

"No-one wins the end of the world." This just about sums up Jordan Hall's witty and timely rom-com-drama "How To Survive An Apocalypse" which tracks a millennial couple's sudden financial collapse and how this leads them to question their smart urban lifestyle and adopt a survivalist mentality. Realising that they are not at all prepared for a natural disaster or catastrophic failure of society, they start to learn what they will need to survive. They quickly find that Jen's skills of running a lifestyle magazine and Ben's coding ability have left them remarkably lacking when it comes to survival in a potential post-apocalyptic world of no food, water or electricity. They can just about buy bottled water and tinned goods with their maxed-out credit cards, but becoming hu...

Masks and Faces or, Before and Behind the Curtain – Finborough Theatre

3Aug

By Donna M DayNo Comments

REVIEWS

Masks and Faces or, Before and Behind the Curtain – Finborough Theatre

Masks and Faces or, Before and Behind the Curtain is a comedy of errors and mistaken identities, written by Charles Reade and Tom Taylor in the 19th century. This version, directed by Matthew Iliffe, assisted by Myles O’Gorman, is an online performance, filmed by each of the actors individually in a table read style. The play tells the story of Ernest Vane (Will Kerr), a country gentleman in London who has been frequenting a theatre and become charmed by actress Peg Woffington (Amy McAllister). When his wife, Mabel (Sophie Melville) suddenly arrives in London, she and Ernest are dragged into the farcical world of the theatre as hearts are broken, identities swapped, and small mistakes lead to big problems. The play opens with actors, Kitty Clive (Madison Clare) and Quin (Robyn Holda...

16Jun

By Kiefer WilliamsNo Comments

REVIEWS

Leather – Finborough Theatre

Homo Promos present this staged reading of Peter Scott-Presland’s seminal queer work that caused a lot of controversy in the early nineties. The play’s main theme resolves around gay domestic abuse both physically and mentally. It’s not an easy watch but then that’s the whole point of Scott-Presland’s outstanding piece of theatre; it leaves the audience asking many questions about relationships and offers pertinent discussion on important issues surrounding consent and non-consensual abuse. The original play, which was performed at the Finborough Theatre came up against many obstacles one of which was Thatcher’s horrendously damaging Section 28 which prevented “the promotion of homosexuality as a pretended family relationship” thus demeaning the whole purpose of what the play was tr...

Late Night Staring at High Res Pixels – Finborough Theatre

1Mar

By Paul DownhamNo Comments

REVIEWS

Late Night Staring at High Res Pixels – Finborough Theatre

Late Night Staring at High Res Pixels, written by Athena Stevens and directed by Lily McLeish, looks at relationships between women and how these are affected by their relationships with men, romantic or otherwise. A series of asides, presented as 28 separate episodes, it tells the story of 1 (Evelyn Lockley) whose boyfriend is best friends with A (Athena Stevens) and what happens after 1 sends him a topless photo which he casually shows to A. Due to the way the sound has been edited, it is beneficial to watch the piece with headphones. A subtitled version is also available. The piece opens with 1 looking at herself in the mirror and commenting on her appearance, including the faint wrinkles she has noticed have started to appear. A fan of presenting her ideal reality on Instagram, ...

The Death Of A Hunter – The Finborough Theatre on Scenesaver

9Oct

By Paul DownhamNo Comments

REVIEWS

The Death Of A Hunter – The Finborough Theatre on Scenesaver

We know the name Ernest Hemingway from his successful novels, ‘A Farewell To Arms’, ‘For Whom The Bell Tolls’, ‘The Sun Also Rises’. We also know that he committed suicide in 1961, but the reasons behind his suicide were vailed in uncertainty. This play written in 1977 by controversial German playwright Rolf Hochhuth, known for his plays ‘The Representative’, ‘The Deputy’ and ‘Soldiers’, attempts to examine the last hours before Hemingway’s death to gain a greater understanding of what was going through his mind in those last hours. The Finborough Theatre has a knack for delving into theatrical pieces that have remained undiscovered or have rarely been performed. The theatre have resurrected other plays written by Hochhuth including ‘Sommer 14 – A Dance of Death’, ‘So...

17Jun

By Paul DownhamNo Comments

London

Jane Clegg – The Finborough Theatre

This revival of a 1913 play was written at the time of the Suffragette Movement, which writer St John Ervine (an Ulster dramatist), had an interest in, as he supported the Suffragette’s. It is rumoured that Ervine was standing close to Emily Davison on Derby Day 1913 when she threw herself under the King’s horse. Dr Andrew Maunder from the University of Herefordshire was working on a project about performance of ‘World War I Theatre’ and the focus is to help to revive World War I plays. In this connection, Dr Maunder worked with Neil McPherson at the Finborough Theatre to stage this revival which had previously been performed at the Gaiety Theatre in Manchester (now demolished) and transferred to the Royal Court Theatre, London. Dame Sybil Thorndike took on the original rol...