Festival Theatre Archives - Page 8 of 8

Beautiful: The Carole King Musical – Festival Theatre, Edinburgh

6Apr

By Roger JacobsNo Comments

Scotland

Beautiful: The Carole King Musical – Festival Theatre, Edinburgh

‘But the music keeps playing And won’t let the world get me down.’ These lyrics from the title track of Carole King’s third album ‘Music’, released a mere 11 months after the legendary ‘Tapestry’ in 1971, could easily explain her life and career, neither of which were short of ups and downs. The question was, how on earth could anyone do it justice in just over two hours? The moment the lights went down from her seat at the centrally placed piano, Molly-Grace Cutler (Carole) banished any concerns. The opening lines of ‘So Far Away’ were a hairs-on-the-back-of-the-neck/lump-in-the-throat moment. Her voice (whether she’d worked on it or not) was uncannily ‘Carole’, the theatre pin-drop silent. There followed an entertaining, slightly rushed account of her early years; learning the p...

Everybody’s Talking About Jaime – Edinburgh Festival Theatre

30Mar

By Beth EltringhamNo Comments

Scotland

Everybody’s Talking About Jaime – Edinburgh Festival Theatre

When you learn to except yourself for who you truly are and want to be, that is when the world will follow suit and accept you too, this is the message that this show communicates. Everyone’s Talking about Jamie is based around the true life and journey of drag star Jamie Campbell: one of the youngest drag queens of his time, taking up the art at just 16. Whilst drag is an important plot device do not get this show confused for a drag show; Jamie’s alter ego Mimi Me (or in real life Fifi La True) only actually surfaces once in the show and in its complete form this is via projection. The plot is actually about a young sixteen-year-old queer boy (Jamie played by Layton Williams) who dreams of being a drag queen yet fears the backlash he may get from his classmates, teacher (Lara Denning...

16Mar

By Oliver GigginsNo Comments

Scotland

SIX: The Musical – Festival Theatre

The musical SIX, written by Toby Marlow and Lucy Moss and directed by Moss and Jamie Armitage, is an 80-minute celebration of 21st-century girl power through the story of the six wives of Henry VIII. In it, Catherine of Aragon (Chloe Hart), Anne Boleyn (Jennifer Caldwell), Jane Seymour (Casey Al-Shaqsy), Anna of Cleves (Aiesha Naomi Pease), Katherine Howard (Jaina Brock-Patel), and Catherine Parr (Alana M Robinson) get to put across their point of view through a glitsy Chicago-esque Cell Block Tango set-up (replace “Pop – Six – Squish – Uh-Uh – Cicero - Lipchitz” with “divorced – beheaded – died – divorced – beheaded – survived). The show first premiered 5 years ago in a hotel conference room at the Edinburgh Fringe Festival performed by half a dozen student actors and has since then re...

Eric & Ern – Festival Theatre, Edinburgh

17Nov

By Roger JacobsNo Comments

Scotland

Eric & Ern – Festival Theatre, Edinburgh

It was difficult to suppress a chuckle simply taking in the set. That sofa, for those of us of a certain vintage, the telephone (Daddy, what were they for in the olden days?) and… The Bed! With no sign of a kitchen one feared – correctly as it turned out – that this would be free of pop-up toast routines. Of Des O’Connor mentions, famous catchphrases and legendary sketches it was not. Never mind how ‘of its era’ it was (20 million+ viewers for the Christmas Specials in 1977 and 1978), this production underlined how enduring the scripts have proved. As has - faithfully captured by Jonty Stephens (Eric) and Ian Ashpitel (Ern) - the stagecraft, timing and theatricality necessary to execute them. In less safe hands a quip about watching a three-foot high person swallow a four-foot sword might ...

Grease the Musical – Festival Theatre Edinburgh

29Sep

By Roger JacobsNo Comments

Scotland

Grease the Musical – Festival Theatre Edinburgh

This production can be viewed two ways; a successful adaptation combining the best of the original, visceral, 1971 Chicago show and the candyfloss of the 1978 film… or something that falls between the two stools of these contrasting affairs. Undeniably it was lively, but frenetic rather than kinetic. The constant movement made for a spectacle but parts of the script, including many of the caustic, witty, one-liners, were lost in the hustle and bustle, denying the audience a glimpse of the themes so vital when Grease first made its impact. The screen greeting the audience prior to the start promised much, decorated with small black & white TV’s, transistor radios, the most modern of things back in the 50’s, both devices carrying – amidst Elvis and Westerns - the advertising that propell...