Sunday, June 16

Tag: Federico Bonelli

Federico Bonelli is Northern Ballet’s new Artistic Director
NEWS

Federico Bonelli is Northern Ballet’s new Artistic Director

Royal Ballet principal dancer Federico Bonelli is Northern Ballet’s new Artistic Director succeeding long serving predecessor David Nixon. Bonelli has danced the Royal Ballet’s leading roles since joining in 2003 after training at the Turin Dance Academy and dancing with Zürich Ballet and Dutch National Ballet. In 2019 he graduated from the Clore Leadership Programme and he is a non-executive director and member of the Board of Parents and Carers in Performing Arts.   He has curated the programme for The Royal Ballet activities in Doncaster as part of the Doncaster Creates festival, prior to its pandemic postponement and has coached Royal Ballet repertory, helping to nurture and develop the high standards of the company’s dancers.   Federico Bonelli Bonelli who ta...
The Sleeping Beauty – Royal Opera House
London

The Sleeping Beauty – Royal Opera House

‘I know you, I walked with you once upon a dream’. Most people will know the song from Disney’s ‘Sleeping Beauty’ but how many people know that the music was actually written 70 years prior to the film’s release and the lyrics were added in 1959 for Disney? Tchaikovsky’s music for the ballet ‘The Sleeping Beauty’ was written in 1889. For anyone who may have never heard of any version of this fairytale before, it tells the story of Princess Aurora. Starting with her christening day, when Carabosse interrupts the ceremony and places a curse on the new princess, meaning she’ll prick her finger on her birthday and die. Luckily, the lilac fairy manages to lessen the curse, to put Aurora and the kingdom into a deep sleep for 100 years, only to be woken by true loves kiss. The ballet consists...
Woolf Works – The Royal Ballet at Royal Opera House
London

Woolf Works – The Royal Ballet at Royal Opera House

Wayne McGregor’s ballet triptych created in 2015 is inspired by the writings of Virginia Woolf and contains an original score by Max Richter – superbly performed by the Orchestra of the Royal Opera House conducted by Koen Kessels – with astounding lighting schemes from Lucy Carter and stunning set designs throughout. Woolf Works recreates the emotions, themes, and fluid style of three of Woolf’s novels beginning with ‘I Now, I Then’ inspired by Mrs Dalloway (1925); then ‘Becomings’ derived from Orlando (1928); concluding with ‘Tuesday’, which draws on The Waves (1931). The three pieces stand alone as distinctly as the works that inspire them although there is a chronology with underlying threads that seamlessly bring them together, most notably the central performance from 52-year old ...