Saturday, September 5

Tag: Emily Wheatman

The Man Who Thought He Knew Too Much – Pleasance Courtyard
Scotland

The Man Who Thought He Knew Too Much – Pleasance Courtyard

Voloz Collective have two propositions at this year's Fringe and having already seen their newer REDACTED: The Cover-Up of a Cover-Up of a Cover-Up, I found myself watching The Man Who Thought He Knew Too Much rather unusually, seeing the company's evolution backwards. Set in 1963, it follows Roger Clement, played by Paul Lofferon, a French advertising executive in New York who’s meticulously ordered existence is disrupted when being late for work saves him from an explosion. What follows is an increasingly improbable international chase, delivered through Voloz's trademark combination of physical theatre, object work, comedy and live music. Lofferon is joined by Voloz co-artistic directors Olivia Zerphy, Emily Wheatman and Sam Rayner, all four having trained at L'...
REDACTED: The Cover-Up of a Cover-Up of a Cover-Up – Pleasance Dome
Scotland

REDACTED: The Cover-Up of a Cover-Up of a Cover-Up – Pleasance Dome

Sometimes reviewing at the Fringe is difficult. Sometimes you spend half the walk home wondering what on earth you have just seen and how you are going to write about it. And sometimes they make it very easy for you. REDACTED: The Cover,Up of a Cover,Up of a Cover,Up is brilliant. There is something here that reminds me of the extraordinary Foley work I enjoyed in Fly, You Fools! at the Pleasance Courtyard last year. Voloz Collective take that idea and turn it into something approaching live cinematic Foley, four actors creating an entire visual world while musician Jonny Venvell, tucked into the corner with percussion and strings, does much of the heavy lifting in establishing its sound. The integration is beautiful. Music, movement, sound effects and physical theatre...