Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Wednesday, April 9

Tag: Ella Kay

My Favourite Place in the Whole Wide World – Hope Mill Theatre
North West

My Favourite Place in the Whole Wide World – Hope Mill Theatre

Trauma can have impact people in many different ways – some people grow and flourish from the ashes, some people can see their life, and the things that bring them comfort, cruelly collapse and leave them shattered. Award-winning playwright Ian Townsend explores this journey along with themes of sexual identity, self-esteem and the very human craving of connection with others in his newest work, “My favourite place…”, directed by James Schofield. In and amongst a simple set of stacked black and orange-striped boxes, we meet J and Ruth, two people who have endured their own childhood traumas, and who, through a cleverly executed moment of serendipity, are thrust into a most unlikely friendship. The script is very much a tale of two halves. In part one, we watch each character lay o...