Elinor Randle Archives - North West End UK

Sealskin – The Arts Centre, Edge Hill University

24Oct

By Rebecca CaseyNo Comments

North West

Sealskin – The Arts Centre, Edge Hill University

Sealskin is based on a fable about a group of Selkies who appear at every full moon, they peel away their skin and dance. One evening a fisherman steals the skin of one of the Selkies and takes her home. The story is about the events that follow. The piece is devised by Tmesis Theatre and directed by Elinor Randle. A creative thought provoking, mystical tale that really is a must see. A talented, skilful, energetic ensemble cast including Stephanie Greer, Samual Perez Duran and Valentine Ojochegbe Onogu who have all truly mastered their craft. The striking red head Faye McCutcheon plays the leading Selkie, injecting a mermaid likeness to the role and taking us with her on her journey learning the human ways. A stand out performance as the mother of the fisherman, an elderly...

Krapp’s Last Tape – Unity Theatre

Marking the welcome return of Graeme Phillips to Unity Theatre and the directorial chair, with the support of Assistant Director Izzie Major and Producer Peter Ward, Krapp’s Last Tape, written by Samuel Beckett, holds a firm place in Phillips’ heart. On his sixty-ninth birthday, Krapp (Nick Birkinshaw), as has become his custom, hauls out his old tape recorder to review one of the earlier years, and make a new recording commenting on the events of the previous twelve months. Whilst his younger self speaks to reveal an idealistic fool, will the passage of time reveal the kind of fool he has become? Almost seventy years since it was written, this one-act play remains as relevant – perhaps more so – in 2024, when we all more readily identify with its themes of isolation, reflection, and...

Memoria – Tmesis Theatre at Albert Walker Hall at the Linacre Methodist Mission

Memoria, created by Tmesis Theatre and directed by Elinor Randle, takes us on a journey of memory and nostalgia in this immersive, physical piece set in the Albert Walker Hall at the Linacre Methodist Mission, much influenced by the many real stories of people whose lives were spent in this very building and whose accompanying voices and imagery are further represented through the physical medium of cast and ensemble, and the addition of text from David Whyte’s Consolations. These experiences are further explored by the notion that perhaps all epochs live and breath in parallel, that spaces and minds can hold imprints of all that has gone before, influencing the future. Equally, where we don’t remember, we always have our imagination, and this is where the piece spectacularly unfolds as...