Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, March 23

Tag: Elinor Randle

Raven – Liverpool Playhouse Studio
North West

Raven – Liverpool Playhouse Studio

The raven is often associated with loss and ill-omen and there’s plenty of that in Abigail McKenzie’s debut play as, inspired by her own lived experiences with addiction, homelessness, children’s services, and domestic abuse, the piece delves into themes of addiction, isolation, and the far-reaching consequences on maternal relationships. Staged on a raised platform with the audience on three sides, Raven presents the challenges of a mother, Elis (McKenzie), trying to reconnect with her young daughter who has been taken into care, with an unravelling back story hinting as to how she has got to this position. The play touches upon a range of sensitive and challenging issues, which most audience members will not have direct experience of, so as an adject, I must note that I have worked...
Sealskin – The Arts Centre, Edge Hill University
North West

Sealskin – The Arts Centre, Edge Hill University

Sealskin is based on a fable about a group of Selkies who appear at every full moon, they peel away their skin and dance. One evening a fisherman steals the skin of one of the Selkies and takes her home. The story is about the events that follow. The piece is devised by Tmesis Theatre and directed by Elinor Randle. A creative thought provoking, mystical tale that really is a must see. A talented, skilful, energetic ensemble cast including Stephanie Greer, Samual Perez Duran and Valentine Ojochegbe Onogu who have all truly mastered their craft. The striking red head Faye McCutcheon plays the leading Selkie, injecting a mermaid likeness to the role and taking us with her on her journey learning the human ways. A stand out performance as the mother of the fisherman, an elderly...
Krapp’s Last Tape – Unity Theatre
North West

Krapp’s Last Tape – Unity Theatre

Marking the welcome return of Graeme Phillips to Unity Theatre and the directorial chair, with the support of Assistant Director Izzie Major and Producer Peter Ward, Krapp’s Last Tape, written by Samuel Beckett, holds a firm place in Phillips’ heart. On his sixty-ninth birthday, Krapp (Nick Birkinshaw), as has become his custom, hauls out his old tape recorder to review one of the earlier years, and make a new recording commenting on the events of the previous twelve months. Whilst his younger self speaks to reveal an idealistic fool, will the passage of time reveal the kind of fool he has become? Almost seventy years since it was written, this one-act play remains as relevant – perhaps more so – in 2024, when we all more readily identify with its themes of isolation, reflection, and...
Memoria – Tmesis Theatre at Albert Walker Hall at the Linacre Methodist Mission
North West

Memoria – Tmesis Theatre at Albert Walker Hall at the Linacre Methodist Mission

Memoria, created by Tmesis Theatre and directed by Elinor Randle, takes us on a journey of memory and nostalgia in this immersive, physical piece set in the Albert Walker Hall at the Linacre Methodist Mission, much influenced by the many real stories of people whose lives were spent in this very building and whose accompanying voices and imagery are further represented through the physical medium of cast and ensemble, and the addition of text from David Whyte’s Consolations. These experiences are further explored by the notion that perhaps all epochs live and breath in parallel, that spaces and minds can hold imprints of all that has gone before, influencing the future. Equally, where we don’t remember, we always have our imagination, and this is where the piece spectacularly unfolds as...