Pippin – Paradise in Augustines
A fantastic trip to the 2024 Edinburgh Fringe Festival concluded for me with the Edinburgh University Footlights production of ‘Pippin’, Stephen Schwartz and Bob Fosse’s groundbreaking 1972 fantasy musical.
Unfortunately, this production had none of the soul, wit and energy required to carry the audience, and with a couple of notable exceptions, the performance lacked magic.
Pippin’s odyssey of self discovery takes him from naivety to self awareness, watched by the mysterious Leading Player (Gemma Iseka Bekano), controlling the narrative and his development, Bekano gives good value with a strong vocal which is dominant when onstage. Dan Bryant as Pippin looks the part and acted well but is limited vocally and struggles to fully realise the beauty of the score, especially during ‘...
