Edinburgh International Festival Archives

Berliner Philharmoniker Residency — Usher Hall

3Sep

By Saira KunjuvalappilNo Comments

Scotland

Berliner Philharmoniker Residency — Usher Hall

The Edinburgh International Festival closed in spectacular fashion with a performance by the world-renowned Berliner Philharmoniker, an orchestra described by the Los Angeles Times as “the greatest orchestra in the world.” At the Usher Hall, the orchestra was conducted by Kirill Petrenko, its Chief Conductor since 2019, in a programme featuring two major works of the orchestral repertoire: Elgar’s Enigma Variations and Tchaikovsky’s Symphony No. 4 in F minor. The concert lasted around two hours, with one interval, and provided a magnificent conclusion to the festival. Elgar — Enigma Variations The first half began with Elgar’s Enigma Variations, Op. 36. The work opens with the theme, marked Andante, followed by fourteen variations, each portraying someone from Elgar’s circle. Rath...

3Sep

By Saira KunjuvalappilNo Comments

Scotland

Mere Mortals – Edinburgh Playhouse

Mere Mortals, which opened in San Francisco in 2024, is an ambitious and visually striking dance production choreographed by the internationally acclaimed Aszure Barton, who has been praised as a brilliant choreographer. Barton, a Bessie Award honouree, has collaborated with renowned artists including Mikhail Baryshnikov, and her experience and creativity are clearly visible throughout this production. At its heart, Mere Mortals explores the fascinating and increasingly relevant theme of artificial intelligence. The production is inspired by the ancient Greek myth of Pandora’s Box. However, rather than imagining a box that releases the evils and sorrows of humanity into the world, Barton reinterprets the myth through the lens of AI. The result is a thought-provoking exploration of what ...

Verdi’s A Masked Ball – Festival Theatre

3Sep

By Jessie MartinNo Comments

Scotland

Verdi’s A Masked Ball – Festival Theatre

As the Edinburgh International Festival draws to a close, Zurich Opera has their final performance of Verdi’s A Masked Ball at the Festival Theatre. Based on preexisting libretto, Giuseppe Verdi adapted and added the love triangle aspect we see in this production. Given the assassination in the opera (originally written as the murder of a King) Verdi had to combat numerous censorship attempts. Despite several setting changes, with Verdi eventually settling on 17th century Boston as the location, each adaptation was followed by real-life assassination attempts and political unrest which called for Verdi to keep adjusting details of the opera so it would seem a little less close to reality. Director Adele Thomas has kept the Boston setting but moved the timeline sligh...

The Golden Age of Hollywood – Usher Hall

25Aug

By Greg HolsteadNo Comments

Scotland

The Golden Age of Hollywood – Usher Hall

Well, this was something special, what a sound! And I have a particular reason for loving the sound of an orchestra arriving beneath a musical. Having been involved in numerous amateur musical productions over the years, one of the moments our cast always looked forward to was band day. Usually sometime during the final week, because that was all we could afford, the musicians would finally arrive. Suddenly, the show we had rehearsed for months acquired another dimension. Everything lifted. The Golden Age of Hollywood was band day times ten! John Wilson and the Sinfonia of London make their Edinburgh International Festival debut at the Usher Hall with an evening devoted to the great Hollywood musical tradition, much of it reconstructed from original MGM orchestrations which Wils...

24Aug

By Danielle FarrowNo Comments

Scotland

EXXY – King’s Theatre

It’s quite something when the safety feature at the start of a show is for the audience’s health rather than the performers, and EXXY from Dan Daw Creative Projects continues to be quite something throughout this highly physically accessible production, with its built in text and sign language throughout, as well as being set up as a relaxed performance, with warning cues for more extreme lighting and sound. EXXY is labelled dance-theatre. It seems more heavily theatre, but with that dance quality which places the work of understanding movement onto the audience itself. Spoken word aspects (live and recorded), along with text and images projected onto the corrugated back wall, and strong soundscapes, all provide context - including Daws’ nan’s backyard and hospital settings - in which h...

17Aug

By Nazaret RaneaNo Comments

Scotland

Mozart’s Don Giovanni – Usher Hall

The Scottish Chamber Opera dazzles again with its high-spirited rendition of Mozart’s Don Giovanni for the Edinburgh International Festival. Conducted by Maxim Emelyanychev, the show continues the SCO’s highly acclaimed series of Mozart operas at the festival. Part raunchy comedy, part high drama, Don Giovanni tells the story of a dissolute Spanish nobleman whose penchant for womanising and bloodshed brings him to a grisly end. Act I opens with Don Giovanni murdering Il Commendatore after a failed attempt to bed the old man’s daughter, Donna Anna. Konstantin Krimmel plays a leonine, bombastic Don Giovanni, who is at times slick with charisma, at times laughably pompous. His Canzonetta in Act II (“Deh, vieni alla finestra”), sung with elegance and tenderness, is a particularly memo...

15Aug

By Greg HolsteadNo Comments

Scotland

This Shining Night – Usher Hall

The concert begins and ends beneath the same shining night, Samuel Barber first contemplating James Agee’s stars, Morten Lauridsen returning us to them at the conclusion. Much has happened in the darkness between. This Shining Night, part of the Edinburgh International Festival’s celebration of choral music, brings the Edinburgh Festival Chorus to the Usher Hall under conductor Sofi Jeannin for a journey through American choral music. It is an intelligently constructed programme; one whose dramatic shape only becomes fully apparent as the evening unfolds. It starts quietly enough. Barber’s Sure on This Shining Night, his 1938 setting of Agee’s poetry, establishes the idea which will eventually bring us full circle. There are beauty and restraint here, but initially I find my...

13Aug

By Jessie MartinNo Comments

Scotland

JLCO Plays Duke Ellington – Usher Hall

The Jazz at Lincoln Centre Orchestra Residency brought us a night of Duke Ellington’s greatest compositions, directed by esteemed trumpeter and founder of JLCO, Wynton Marsalis. Seeing as the theme of this year’s Edinburgh International Festival is ‘All Rise’ – tied to the 250th anniversary of America’s independence – an American ensemble playing the works of one of the most prolific American composers seems only fitting. Especially when we get to the second act of the performance where the sole focus is on Ellington’s Black, Brown, and Beige, conducted by Chris Crenshaw. This suite tells the story of the hardships of the Black American, from slavery to segregation, and eventually emancipation. Alongside the JLCO, musical guests were invited to perform, including EIF’s dire...

12Aug

By Jessie MartinNo Comments

Scotland

The Global Ideas Stage – Kings Theatre

A trumpet cuts through the audience’s murmuring – Wynston Marsalis stands at the back of the auditorium playing Amazing Grace, and amazing it absolutely was. The Global Ideas Stage began as it intended to go on. Featuring Edinburgh International Festival’s Director, Nicola Benedetti as host, alongside Harvard Art and Culture Historian, Sarah Lewis. Last year’s festival also featured a talk from Sarah Lewis, but this year the structure followed a more interview-based approach. Six guests were chosen to discuss the connection between Scotland and America and its Declaration of Independence. As well as discussing how culture and media allows for minds to be changed and hope to be given. Our panel consisted of Adam Dixon, Amy Goodman, Gordon Brown, Bryan Stevenson, Ken Burns, Lewis and B...

Figures in Extinction – Festival Theatre

23Aug

By Nazaret RaneaNo Comments

Scotland

Figures in Extinction – Festival Theatre

The Edinburgh International Festival continues to prove how committed it is to bringing the finest examples of the arts to the city every year, and this time it could not have been otherwise. Figures in Extinction is one of the most elevated ballets I have ever seen, both in terms of technique, concept and production design. Crystal Pite proves herself to be one of the finest choreographers currently working in Europe. What sets her apart is her willingness to look directly at the world around her and to translate difficult, often painful subjects into movement that feels alive, urgent and deeply human. In Figures in Extinction, a trilogy created with Simon McBurney of Complicité and performed by the extraordinary dancers of Nederlands Dans Theater, she turns her attention to the climate c...