Edinburgh Fringe Review 2026 Archives - Page 4 of 6

24Aug

By Greg HolsteadNo Comments

Scotland

Buggers – Pleasance Courtyard

Francis Bacon distorted the human figure on canvas. Buggers asks what happened when that same capacity for distortion entered one of the most important relationships of his life. Written by Alistair Hall and directed by Alice Wordsworth, the play immediately demythologises the famous story that Bacon first encountered George Dyer burgling his home, giving us instead an almost wordless wine-bar tryst between Alistair Hall’s Francis Bacon and Peter Clements’ George Dyer. The following morning begins to expose the gulf between them. “I like your nose,” says Bacon. “Yeah, it’s been punched a lot,” replies Dyer. When Bacon discovers that Dyer has done time, he is delighted. “How wonderful.” Then comes a line which encapsulates both Bacon’s attraction to Dyer and something fu...

Shake It Up! The Improvised Shakespeare Show – Gilded Balloon Teviot

24Aug

By Caroline WorswickNo Comments

Scotland

Shake It Up! The Improvised Shakespeare Show – Gilded Balloon Teviot

Welcome to the world of improvised Shakespeare! I have seen Shake It Up! several times before, including in the Birmingham Library with the wonderful The School of Night, so I was well versed in their technique. Before they can begin, they ask the audience for suggestions of a comedy, tragedy, or history play. With a vote dependent upon our clap energy, we enthusiastically voted for a history play. To build more detail, we needed a protagonist, someone that you know but whom is not in the audience with you. Hurray! Pietro in the front row suggests Ludovico his flat-mate, and his bad habits are chewing loudly, being messy, and generally rude, but good hearted. The play will be set in the Lake District with the gorgeous rolling hills, and Kendal Mint Cake...

Boogie on the Bones – Anatomy Lecture Theatre at Summerhall

24Aug

By Caroline WorswickNo Comments

Scotland

Boogie on the Bones – Anatomy Lecture Theatre at Summerhall

Within Theatre Company is an award-winning company, brought together from Belarus, Russia and Ukraine by the reality of their situation of being displaced and working in London. As an ensemble, they create work that shares their belief in freedom of expression, freedom of speech, and using art to resist oppression and totalitarianism. It is therefore, fitting that they have chosen to write about an era in the history of the Soviet Union following the death of Stalin, when a section of the young Soviet community chose to rebel against the grey nature of their existence, in 1955 Moscow. This underground counterculture movement called themselves the Stilyagi (style hunters), they wanted to love a more colourful life with jazz music, dancing, and to express their passions wi...

24Aug

By Oliver GigginsNo Comments

Scotland

The Hunger – Space @ Niddry Street

Deborah (Susan Jayne Robinson) and her daughter Megan (Hollie Burgess) live on their pig farm, once an independent and isolated business, now a seemingly last haven in a post-apocalyptic hellscape. Besieged by the mutated and desperate humans outside, inside mother and daughter clash over nostalgia, how to live in this brand new world, and how to behave towards the unseen creatures roaming outside. As directed by Natalie Simone, Robinson and Burgess are excellent, believable as mother and daughter and intensely realistic in their situation and surroundings. Aided by very well designed and chosen set (corrugated plastic walls that are at times either metal-looking or see-through) and props (the utilitarian food and gun are their own centrepieces at times), the show is effectively gritty ...

24Aug

By Christina SchmidtNo Comments

Scotland

Deluge – Underbelly Cowgate

Inspired by a break-up and interviews with 40 other people dealing with some form of loss, Gabi Flares merges these stories into a 60min fever-dream of Jam Jars, live piano playing and singing, emotional outbursts, flooding houses and just about every manner of movement whilst carrying around a ladder. Though calling it a comedy show might be a bit of a stretch, there were certainly funny moments, along with every other emotion as well. Flares doesn’t just explore heartbreak and grief theoretically, she fully embodies it. The messiness, the flip-flopping from being angry to exhausted to overjoyed and sad again, and generally just spilling over with emotions that have nowhere to go anymore. The constant dripping that slowly floods her world being a reminder of what she’s lost and how tho...

James Phelan: Showman – Underbelly Circus Hub

23Aug

By Saira KunjuvalappilNo Comments

Scotland

James Phelan: Showman – Underbelly Circus Hub

Magician James Phelan has done a great job creating an entertaining and interactive show. From predicting cards to reading minds, there were plenty of moments that kept the audience interested and involved throughout the performance. The interactive nature of the show was definitely one of its strongest aspects, as it made the audience feel like they were part of the magic rather than simply watching from their seats. The lighting and overall presentation were also very well done. The lighting added to the atmosphere and helped create the right mood for the different parts of the performance. James did an excellent job engaging the audience, and his confidence and stage presence made the show enjoyable from beginning to end. However, one thing I would recommend is adding some new...

Nina’s C*nti Cabaret – Underbelly (McEwan Hall)

23Aug

By Roger JacobsNo Comments

Scotland

Nina’s C*nti Cabaret – Underbelly (McEwan Hall)

Big venue, big lights, sound, crowd… but not enough Nina! The clues in the title of course, a genuine cabaret featuring two guest artists, and not the Full C*nti. Though someone who did avail of an All-You-Can-Eat breakfast buffet was first interloper Susie McCabe, a bonus surprise to anyone who wasn’t aware of the show’s format. Sadly (well, not that sadly as here she is alive and happily kicking) it led to a heart attack in the Bristol Hilton. As someone once said; ‘never let a crisis go to waste’ and in Susie’s hands the life-threatening incident provides much mirth. Albeit tempered if you’re from Bristol or Fife. Prior to this was Nina’s intro routine, her scratchy simian lowering whatever tone she thought she’d established, soiling every attempt at cordiality with the audience. ...

Non-Human Animal – Gilded Balloon Teviot

23Aug

By Christina SchmidtNo Comments

Scotland

Non-Human Animal – Gilded Balloon Teviot

Roisin’s father was murdered. Now she’s left alone to deal with the consequeses – grieving, bingeing on mini Mars-bars and Gilmore Girls, shutting out the outside world, with a Mammy that’s suffering from dementia, and a health system that’s failing her. Writer Kat Woods pulled from her own experiences after the murder of her father which comes through in the confessional tone of the piece. Non-Human animal scratches the surface on many incredibly important topics, but unfortunately loses the actual storyline in this web of problems. What is the play about? The prison system? Trauma? Role-play? The NHS? Grief? Mental Health? Soberiety? Northern Ireland after the Troubles? Class? Social Media? Neurodiversity? Body image issues? Guilt? All of the above? Of course all of these socie...

Apples In Winter – The Annexe at Paradise in The Vault

23Aug

By Caroline WorswickNo Comments

Scotland

Apples In Winter – The Annexe at Paradise in The Vault

Miriam (Edie Campbell) loves to bake pie, apple pie to be exact with the apples from the tree in her garden that she lovingly nurtured to ensure that the apples in her pie were of the best quality. They should only be picked in September for the best apple pie…Robert loved her apple pie more than anything! Robert is Miriam’s son. Robert is in prison on death row, and his execution has been organised for midnight on that very day. His request for his last meal, is for his mother to make the apple pie that he loves so much. For Miriam, this request stirs up a tsunami of emotions, as she stands in the prison kitchen with her ingredients, to make the homemade apple pie for her son. Written by Jennifer Fawcett, and produced by Lynchpin Theatre Company, th...

Antigone 1989: A Town Hall Musical – Gilded Balloon Patter Hoose

22Aug

By Beth EltringhamNo Comments

Scotland

Antigone 1989: A Town Hall Musical – Gilded Balloon Patter Hoose

The tale of Antigone continues to remain prominent within theatre and Greek history, a tale of a woman who goes against her leaders wishes in order to restore dignity to her deceased brother, ultimately leading to her death sentence and the taking of her own life. Like many Greek tragedies, this one is not a happy one, but it does deliver us the message that: it is important to stand up for what you believe in, even if the consequence is dire (oh and don’t disobey the gods…). Antigone 1989: A Town Hall Musical takes the classic tale but re-frames it in the 1980s, using the AIDS crisis as it’s driven point of revolt. This is cleverly done by exchanging the relationship between Antigone and Creon’s (known as Calvin) son Henry for a relationship between Henry and the deceased and sland...