Edinburgh Festival Fringe Archives - Page 13 of 13

The Coil’s Lament – Just the Tonic, The Mash House

9Aug

By Amy HolsteadNo Comments

Scotland

The Coil’s Lament – Just the Tonic, The Mash House

Irish comedian Siomha Hennessy combines storytelling and song in this fast-paced comedy show. This felt like a classic re-telling of womanhood through the lens of Hennessy’s personal experience. However, the familiar subjects of dating, mental health and family dynamic were elevated by Hennessy’s high-quality writing and energetic performance. Also, moments of witty originality, such as the musical number where she impersonated her IUD, were a refreshing surprise. Hennessy also smashed her musical numbers. Her voice was impressive and again the writing was well-done. Comments shared between herself and the on-stage keyboard player added further humour to these musical moments. Also, the way she wrote the keyboard players silent on-stage presence into a few of her jokes was clever an...

9Aug

By Greg HolsteadNo Comments

Scotland

Lena – Assembly George Square

This was – Brilliantly conceived and delivered – and I mean that most sincerely folks! As someone raised on Opportunity Knocks (think Britain’s Got Talent) this certainly hit some deep and emotional triggers! Via the power of Jon Culshaw’s brilliant embodiment of Hugh Green, I am transported back to 1974, as 10-year-old singing sensation Lena Zavaroni, from the wee Isle of Bute, rockets to stardom on Opportunity Knocks, ITV's top talent show. At the start of the play, we see Lena in a wheelchair being led into an operating theatre for experimental neurosurgery. The story of her rise and fall, from her very humble beginnings on Bute, her neurotic mum and musical dad and the chance encounter that set her on her path, all presented in a series of flash backs. Erin Armstrong is ab...

I Consent, Aunty Ginger – Assembly, George Square Studios, Underground

9Aug

By Ben PearsonNo Comments

Scotland

I Consent, Aunty Ginger – Assembly, George Square Studios, Underground

This show is not for the faint-hearted or easily offended. And that’s a good thing. I Consent is an utterly outrageous, and hilariously entertaining hour of drag-show comedy. Aunty Ginger has excellent stage presence from the second she introduces herself with a parody of ‘(Hey) Big Spender’. You may be able to guess what word she replaced ‘Spender’ with… I won’t pretend I’m an expert in drag styling and fashion, but I was incredibly impressed by her make-up, fabulous ginger wig and matching jewellery. The dress, designed by Peter Hewitt, was black and tight. Perfect for the occasion. In short, Aunty Ginger looked spectacular. I won’t spoil the contents of her show, but it includes an Agony Aunt style segment where she solves the sex life problems of ‘famous celebrities’ and memb...

9Aug

By Greg HolsteadNo Comments

Scotland

Edges – Assembly Rooms, Music Hall

This was – Some very fine singing, but ultimately indecipherable and unrelatable! A production from the Royal Conservatoire of Scotland, Edges, the blurb reads: a Musical from the creators of The Greatest Showman, La La Land and Dear Evan Hansen, Edges is a contemporary song-cycle which explores universal issues such as love, commitment, identity, and meaning. Well, great! As a big fan of all of those production, this sounds perfect, I was looking forward to this one. What a let down! This is maybe sounding and looking great and making perfect sense if you are a 20-something angst-ridden American female living in New York City. And I am probably sounding very old and very male now. A bright young thing launches into, Am I fulfilled. Do I care? A production that, on paper...

Before The Drugs Kick In – The Space @ Surgeon’s Hall

9Aug

By Roger JacobsNo Comments

Scotland

Before The Drugs Kick In – The Space @ Surgeon’s Hall

‘Three months ago I cut my wrists in front of my two children.’ No, this wasn’t an easy watch. Maria DeCotis plays 62-year-old Lynn T Walsh, a woman deemed a danger to those around her, isolated from her family for 20 years in a mental asylum in America. She’s given very little help but lots of ‘medicine’. Pretty much treated as a criminal, she points out the ridiculous double-standards at work given the behaviour of certain well-known film and TV people. Her ‘crime’; an almost subconscious emotional reaction to the stresses associated with bringing up a family more or less singlehandedly in a suburban setting where the simple act of going out for a walk attracts the wrong sort of comments. Incarcerated she may be but in her mind she becomes a 28-year-old stand-up and humorous...

Sonia Friedman Productions announce new dates for The Shark is Broken

30Jun

By Paul DownhamNo Comments

NEWS

Sonia Friedman Productions announce new dates for The Shark is Broken

Sonia Friedman Productions is delighted to announce new dates for The Shark is Broken at the Ambassadors Theatre after the production was postponed last year due to the pandemic. Ian Shaw and Joseph Nixon’s brilliantly funny play will now run in the West End from 9th October – 15th January. Tickets will go on general sale on Thursday 1st July at 10am. Current ticketholders will be notified of their new performance date by their point of purchase. Cape Cod, 1974: shooting on ‘Jaws’ has stalled. The film’s lead actors – Robert Shaw, Roy Scheider and Richard Dreyfuss – are stuck on a boat, at the mercy of foul weather and a faulty mechanical co-star. Awash with alcohol and ambition, three hammered sharks start to bare their teeth… A sell-out, critically acclaimed hit of the Edinbu...