David McVicar Archives - North West End UK

14Jun

By Mark DavorenNo Comments

London

Andréa Chenier – Royal Opera House

David McVicar’s spectacular staging of Umberto Giordano’s epic verismo opera of revolution and forbidden love from 2015 is brought back to life by Revival Director Thomas Guthrie with the orchestra under the baton of Antonio Pappano in his last production as Music Director of The Royal Opera. At a glittering party in 18th-century Paris there are distinctly two tiers of society on display from the lowly footman Gérard (Amartuvshin Enkhbat) who follows in the footsteps of his father who has been in service for sixty years, to the sumptuous host, Contessa di Coigny (Rosalind Plowright), whose daughter Maddalena (Sondra Radvanovsky) straddles both as she eschews the fancy dress and faux manners in favour of intellectual discussion, so when the poet Andréa Chenier (Jonas Kaufmann) delivers a...

The Marriage of Figaro – Royal Opera House

28Apr

By Mark DavorenNo Comments

London

The Marriage of Figaro – Royal Opera House

Mozart’s classic four-act comic opera, an adaptation with Da Ponte of Beaumarchais’ banned 1778 play about warring masters and servants, is delightfully brought to life in director David McVicar’s own revival of his 2006 production, again conducted by Antonio Pappano, of this satirical and deeply human drama. As the day of Figaro (Riccardo Fassi) and Susanna’s (Giulia Semenzato) wedding arrives, it becomes clear that their master, Count Almaviva (Davide Luciano), is keen to exercise his ‘droit du seigneur’ – his right to bed a servant girl on her wedding night – and they conspire with the forsaken Countess (Federica Lombardi) to outwit her husband and teach him a lesson in fidelity. Plans however are thrown awry when Bartolo (Henry Waddington), seeking revenge against Figaro for thwarti...

The Met Live in HD: Medea – The Metropolitan Opera

24Oct

By Mark DavorenNo Comments

REVIEWS

The Met Live in HD: Medea – The Metropolitan Opera

Originally written in French in 1797, The Met premiere the later Italian version of Cherubini’s rarely performed masterpiece, based on Euripides’ and Corneille’s tragedies, to open their new season in a co-production with the Greek National Opera, Canadian Opera Company, and Lyric Opera of Chicago. Spurning antiquity, director David McVicar sets the piece somewhere around the time of its original writing with a distinctly Gallic nod towards the French Revolution that would follow, and the straightforward simplicity of the set, which he also designed, is sympathetic to an audience mostly unfamiliar with the work. The breathless overture recedes to introduce Glauce (Janai Brugger), daughter of Creonte (Michele Pertusi), King of Corinth, and her impending marriage to Giasone (Matthew Po...

Don Carlos – The Metropolitan Opera, New York

27Mar

By Mark DavorenNo Comments

REVIEWS

Don Carlos – The Metropolitan Opera, New York

The Met Opera’s original five-act French version of Verdi’s epic opera of doomed love among royalty is in fact an amended version of the 1867 Paris edition with some omissions as well as the addition of elements from later Italian versions, but if the intention was to serve up the best version possible then there is no doubt that this comes pretty close with the magnificence of its delivery. Photo: Ken Howard It's a tough story with far too real parallels to events unfolding in the Ukraine which serves to reinforce the piece’s uncompromising assessment of the ways of human nature as we are thrust via a love triangle into the courtly world of 16th Century Spain complete with its religious Inquisition and destructive suppression of protest in Flanders. At almost five hours, there is...

20Jul

By Paul DownhamNo Comments

London

Faust – Royal Opera House

Everybody knows the tale of Faust although Gounod’s popular five-act, Parisian grand opera from 1859 is in fact adapted from Michel Carré’s play ‘Faust et Marguerite’ which was itself based on Part I of Goethe’s epic poem Faust. Very much reflective of the nature of Second-Empire Paris at that time, the obvious question is whether its themes remain relevant and recognisable to a 21st C audience. Director David McVicar wisely recognised that human nature doesn’t really change and the issues of sensuality and hedonism, religion and morality, bourgeois consumption versus socialist redistribution, to name but a few at the heart of this opera, continue to go hand in hand, and his richly layered 2004 production for Royal Opera House brilliantly captured these through the artificial edifices o...

20Jun

By Paul DownhamNo Comments

London

The Magic Flute – Royal Opera House

Mozart’s The Magic Flute is a wonderful tale of princes, giant serpents, mysterious temples and birdcatchers. An enchanting damsel in distress meets a hilarious nonsensical birdman in this vibrant opera which is one of the most performed in the world today. Conducted by Julia Jones and directed by David McVicar, this funny show has plenty of peril and drama and is performed in the original German with English subtitles. The opera opens with beautifully energetic music before we see Tamino (Mauro Peter) fighting with a giant serpent. The serpent is a well-constructed puppet, controlled by several cast members, and its appearance and the dexterity of the performers mean that it is no surprise Tamino is losing the battle. He loses consciousness before being rescued by three ladies (Rebecca...