Tuesday, November 5

Tag: David Butt Philip

Rusalka – Royal Opera House
London

Rusalka – Royal Opera House

Created and directed by Natalie Abrahami and Ann Yee, who is also the choreographer, the contemporary whilst still traditional new staging of this lyrical fairy tale captures nature’s impassioned plea to humanity whilst musically only Dvořák can break your heart so beautifully. From an exquisite aerial ballet reflecting the delicate balance between nature and humanity at the start, three wood spirits (Vuvu Mpofu, Gabriele Kupšyte and Anne Marie Stanley) playfully tease Vodník (Alexei Isaev), an immortal water spirit. All seems to be perfect but his daughter, Rusalka (Asmik Grigorian) longs to be united with the Prince (David Butt Philip) with whom she fell in love when he swam in the lake. Despite being warned about the seductive dangers of humanity that promises much whilst deliveri...
La Bohème Live at The Drive-In – ENO, East Car Park, Alexandra Palace
London

La Bohème Live at The Drive-In – ENO, East Car Park, Alexandra Palace

Monty Python used to say, and now for something completely different, and ne’er was a truer word said than with ENO director P.J. Harris’ contemporary English language adaptation of Puccini’s classic opera, and it is also transformed from its 19th C Parisian location to a modern-day encampment in a disused London car park, where we meet our four struggling hipsters: poet Rodolfo (David Butt Philip); painter Marcello (Roderick Williams); philosopher cum photographer Colline (William Thomas); and musician Schaunard (Benson Wilson), who arrives having had some good fortune. They are interrupted by Benoît (Trevor Eliot Bowes), a security guard, but cleverly trick him to avoid paying him his dues. Whilst the others leave, Rodolfo remains but is interrupted by a young lady needing a light for...
Beethoven’s Fidelio – Royal Opera House
London

Beethoven’s Fidelio – Royal Opera House

Recorded just prior to lockdown and largely unedited, conductor Antonio Pappano introduces a new production of Beethoven's only opera, Fidelio, from the Royal Opera House, a story of risk and triumph against a backdrop of revolution, with Tobias Kratzer’s new staging, including some dialogue changes, bringing together the dark reality of the Reign of Terror during the French Revolution and the conflicts of the modern age to illuminate Fidelio’s inspiring message of a common humanity. This is very much an opera of two halves with Act One in period as Leonore (Lise Davidsen) attempts to locate her husband, Florestan (David Butt Philip) who is a political prisoner incarcerated in a secret dungeon and subject to torture from the governor of the prison, Don Pizarro (Simon Neal). To secure a ...