Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Wednesday, February 19

Tag: Daniel Wain

Look Behind You – Theatre at the Tabard
London

Look Behind You – Theatre at the Tabard

The 25th anniversary performance of Strut & Fret’s Look Behind You features a completely updated book both classic in its recognizable theatrical tropes and urgent in its relevance to the present moment in arts and commerce. Daniel Wain’s love letter to “the bitchiest, barmiest, bravest business of them all,” encompasses the wide range of characters and character flaws that make a theatre tick. Set during the run of Christmas pantomime, Dick Whittington, at the aptly if unsubtly named, “Britannia” this play minces no words. Subtlety is wholly eschewed and in its absence something urgent, theatrical, and true, prevails. No matter how dazzling the script, and believe me it is dazzling, this is the kind of show in which one sour note might poison the whole symphony. Fortunately, each a...