Friday, December 5

Tag: Damien Williams

The Last Laugh – Manchester Opera House
North West

The Last Laugh – Manchester Opera House

It is a well-known fact that most comedians have an insecurity caused by and driven by the need to get the next laugh. Tony Hancock for example paid the ultimate price in his strive to stay funny. It is fuelled by the need to build on the success they have already built.  It is an anxiety shared by the three comic greats we see presented on stage in Paul Hendy’s touching script though how they deal with it is very different.  All three come from the first generation of comedians to transition from the age of music hall to the age of television. In music hall, comics often toured the same material for years, but once seen on television, that material becomes yesterday’s chip paper and the need to create new, funnier comedy drives the insecurity to get the next laugh. There can ...
The Last Laugh – Alexandra, Birmingham
West Midlands

The Last Laugh – Alexandra, Birmingham

I was in Morocco once (hold on - this’ll make sense) and came across a market stall selling fezes. The stall holder asked me where I was from. I said, “UK” where upon he put on a fez and said, “Just like that!” I asked him if he knew what that meant. He shrugged and said, “No, but everyone who comes from UK puts on a fez and says, “Just like that!’” And we still do. Forty years after the death of the comic we’re imitating. Such is the impression he made and the impressions being made tonight at the Alexandra will surely be spoken for the same length of time. Three stalwarts of comedy who dominated the light entertainment landscape for many years are here evoked with uncanny accuracy by three comedy stalwarts who have to be seen to be believed. Tommy Cooper, Eric Morecambe and Bob Monkh...
The Last Laugh – Assembly George Square
Scotland

The Last Laugh – Assembly George Square

A standing ovation at a Fringe show speaks volumes. Paul Hendy's (writer and director) The Last Laugh deserves loud applause and whoops of appreciation. It is funny and touching. The set is perfect, the lighting spot on and the performers are wonderful.  Bob Golding as Eric Morecambe has that lovely little bounce perfected; Damien Williams channels the late Tommy Cooper brilliantly and Simon Cartwright’s Bob Monkhouse looks and sounds just like the man himself, right down to the mahogany tan. The warm-up music is a sound bath of Bernard Cribbins, which my neighbour joyously sang along with. Songs about a man digging a hole or Ernie and his horse and cart … there are few silly comedy songs these days, if any. Aimed at a predominantly baby boomer audience with money to spare and...