Crucible Theatre Archives - North West End UK

14Jul

By Tracey BellNo Comments

Yorkshire & Humber

Miss Saigon – Crucible Theatre

Billed as Sheffield Theatre’s new production of Boublil and Schonberg’s Miss Saigon, this production marks my 40th visit to see this show. My first being back at Drury Lane in late 1989, and I have also been lucky enough to direct the show back in 2018, therefore, I would consider myself to be a bit of a connoisseur. Yes, I am aware of the political issues that surround it, I am aware that creating a new production was met with anger from some, but I am also aware that highlighting issues allows the audience to formulate their own responses … our history is relevant to our future. I have given myself a length of time to digest what I saw last night before reviewing this production. It is new, it is different, it is edgier, starker, less self-indulgent in its direction and more invested...

<strong>Standing at the Sky’s Edge – Crucible Theatre</strong>

29Dec

By Paul WilcoxNo Comments

Yorkshire & Humber

Standing at the Sky’s Edge – Crucible Theatre

Some books you only ever want to read once, some films do not stand up to the scrutiny of a second watch, and some plays you will try to forget before you even leave the theatre foyer. I reviewed 'Standing at the Sky's Edge' in its original incarnation at the Crucible Theatre back in March 2019, when I had no hesitation in naming it amongst my top five shows of that year. I'm delighted to say that this revival matches the original production in every way, my love affair with this superb production was rekindled and London audiences are in for an invigorating blast from the north when it transfers to the National Theatre early in 2023. Retaining eight of the original cast of nineteen, including the core of the lead performers, allows these actors to revisit and more fully explore their ...

14Feb

By Jo TillotsonNo Comments

Yorkshire & Humber

Anna Karenina – Crucible Theatre

As the house lights go down, a series of spotlights reveal a lone figure: Anna Karenina. “This is my story”, she says. But she is not in this alone. Two main stories are intertwined. The titular character, Anna, an unfulfilled wife and mother, meets Count Vronsky, an officer in the Russian army; they begin a passionate affair, and the consequences are dramatic. At the same time, Constantin Levin, an idealistic young landowner, is courting Kitty, Anna’s sister-in-law, and is learning what it means to experience heartbreak and learn responsibility. Helen Edmundson’s adaptation of the epic novel by Leo Tolstoy takes a story that we think we are familiar with – but probably don’t know as well as we think we do and makes it accessible to a new generation. “Where are you now?” Anna and Le...

19Dec

By Jo TillotsonNo Comments

Yorkshire & Humber

She Loves Me – Crucible Theatre

From the moment the ensemble stepped off the trolleybus onto the stage and the doors of Maraczek’s Parfumerie swung open, I was hooked. She Loves Me is a visual feast from start to finish, making the most of every inch of the stunning set designed by Ben Stones. Shop counters fit together like jigsaw pieces, bicycles and beds come and go, and a French-style café appears out of nowhere. Blink for even a second and you’re bound to miss something – maybe even the arrival of autumn or winter! She Loves Me tells a classic story, which has been adapted more than once from the original play by Miklós László; most famously into the 1998 film You’ve Got Mail, starring Meg Ryan and Tom Hanks. It’s a simple plot: two co-workers, Amalia and Georg, who show a strong dislike for one another on th...

Casting announced for “She Loves Me” at The Crucible this Christmas

2Nov

By Paul DownhamNo Comments

NEWS

Casting announced for “She Loves Me” at The Crucible this Christmas

Sheffield Theatres announces the cast for its Christmas musical She Loves Me at the Crucible Theatre from Saturday 11th December 2021 – Saturday 15th January 2022. Directed by Sheffield Theatres’ Artistic Director Robert Hastie, the cast includes: Adele Anderson playing Head Waiter (Fascinating Aïda), Lewis Cornay playing Arpad Laszlo (John and Jen, The Book of Mormon), Andy Coxon playing Steven Kodaly (Curtains, West Side Story), Marc Elliott playing Ladislav Sipos (The Girl on the Train, Macbeth), Kaisa Hammarlund playing Ilona Ritter (Fun Home, Sweet Charity), Karl Seth playing Zoltan Maraczek (Annie Get Your Gun, The Kite Runner), David Thaxton playing Georg Nowack (The Phantom Of The Opera, Passion), and Alex Young playing Amalia Balash (Guys and Dolls, Sta...

27Oct

By Tracey BellNo Comments

Yorkshire & Humber

The Lemon Table – Crucible Theatre

The Lemon Tree is presented by Wiltshire Creative, Malvern Theatres, Sheffield Theatres and Home, in association with MGC. It is two short stories penned by Julian Barnes, co-directed by Michael Grandage and Titus Halder and performed by the actor Ian McDiarmid. Lighting designer Paule Constable, Associate lighting designer Ryan Day and Sound Designer by Ella Wahlstrom make up the creative team. Barnes’ 2005 book of Short Stories are first person accounts on the reality of ageing. The two chosen stories in the Lemon Table are told through the eyes of Jeffrey in ‘Vigilance’ and the Finnish composer Jean Sibelius as he draws to the end of his life, in the second – ‘Silence’. Both these dramatizations are depicted back to back over a 65 minute period by McDiarmid with the ease of a master...

3Jul

By Paul WilcoxNo Comments

Yorkshire & Humber

Talent – Crucible Theatre

Just over five years ago, in April 2016, Britain lost a unique and irreplaceable comedy voice with the untimely death of Victoria Wood. In addition to her brilliance as a stand up comedian and actress in both comedic and dramatic roles, Wood also scripted a number of plays and musicals for the stage and her very first attempt from 1978, 'Talent', is the subject of a revival at Sheffield’s Crucible during July. The world of the late 1970's northern working men's club, is evoked by both the cheesy ballads playing as we enter the auditorium and the set design of Janet Bird. A golden cloak covers the stage and reaches up to a white grand piano perched high on a plinth, evoking the glamour of Liberace and 1940's Hollywood. This is quickly revealed to be a grotty backstage with boxes of cris...