Crucible Theatre Archives - North West End UK

Black Is the Colour of My Voice – Crucible Theatre

20Oct

By NewsdeskNo Comments

Yorkshire & Humber

Black Is the Colour of My Voice – Crucible Theatre

‘Black is the Colour of My Voice’ takes on the phenomenon of gospel, jazz and blues icon Nina Simone, and her activism leading up to and during the height of the civil rights movement in the United States. Fictionalising events and names so that it serves more of an ‘inspired by’ or a ‘representation of’ the life of Simone, there is a shared understanding of this unofficial autobiography being that of Simone. This solo show stars Florence Odumosu as Mina Bordeaux, unpacking her life in the wake of her father’s death. Odumosu navigates Bordeaux’s early years - wowing her family with her piano playing abilities at the age of 3 reciting her mother’s favourite hymns, through to unresolved youthful crushes and turbulent, violent relationships with men, before climaxing with the death of Doct...

Dancing at Lughnasa – Royal Exchange Theatre

16Oct

By Paul WilcoxNo Comments

North West

Dancing at Lughnasa – Royal Exchange Theatre

Writer Brian Friel is universally regarded as one of the leading figures in English language drama, a reputation which seems to grow with every passing year since he died in 2015. The style of his work, examining the transitional culture and politics in Irish society in the 20th Century, has drawn serious comparisons with Miller, Williams and especially Anton Chekhov. This Autumn, in a continuation of their recent return to form, the Royal Exchange has teamed up with The Crucible Theatre in Sheffield to produce a spellbinding production of ‘Dancing at Lughnasa’, Friel’s exploration of his memories of growing up in rural 1930s Ireland. The comparisons of Friel with Chekhov are a serious one; both writers work is set in communities on the cusp of radical change from rural to industrial ec...

19Sep

By Tracey BellNo Comments

Yorkshire & Humber

Dancing at Lughnasa – Crucible Theatre

Riveting and far reaching, a masterclass of storytelling. The Sheffield Theatres and Royal Exchange Theatre Production of Dancing at Lughnasa is inspired by its renown writer’s own life and Brian Friel’s powerful play is given an outstanding outing by the new Artistic Director of Sheffield Theatres, Elizabeth Newman. Newman’s vision is crisp, captivating and concise, disregarding sentimentality and instead allowing the audience to witness the societal change on a generation with great intricacy and care. It is harvest time in 1936, rural Donegal, Ireland and we meet the five unmarried Mundy sisters. Their lives are marred with hardship yet laced with unfulfilled and often hidden dreams and in one season their mundane lives are changes irrevocably. Enter Uncle Jack, a clergyman of the...

A Streetcar Named Desire – Crucible Theatre

13Mar

By Tracey BellNo Comments

Yorkshire & Humber

A Streetcar Named Desire – Crucible Theatre

All that exceptional theatre should be. An A-Z of how it should be done! Tennesse Williams’ Pulitzer Prize winning classic tale of emotional issues is given a splendidly simmering but still honest revival at the Crucible Theatre in Sheffield this month. We are instantly transported to the heady, sultry streets of New Orleans in the 1940’s where a jadedly delicate and neurotic southern belle, Blanche Dubois seeks solace with her sister Stella and her brutish husband Stanley. As a battle for Stella’s heart is warred between Blanche and Stanley and the southern stifling heat is only matched by the intense heat of the futile feud. Blanche’s southern belle charm and airs and graces are transparent to Stanley and secrets of the past are unearthed, thus both sisters must choose between reality...

28Sep

By Tracey BellNo Comments

Yorkshire & Humber

A Doll’s House – Crucible Theatre

A Masterful production of a Masterpiece of Theatre. ‘All my life I have been a Doll that is taken out to play with and discarded when boredom dictates, I have no voice and I have no opinion, I am never heard, I am what you want me to be... never what I truly am… but what and who am I?’ This famous Henrik Ibsen play was originally written in 1879 and was inspired by real events. In 1878 Ibsen wrote ‘There are two kinds of moral law, two kinds of conscience, one for men and one, quite different, for women. They don’t understand each other; but in practical life, woman is judged by masculine law, as though she weren’t a woman but a man’. In this statement stands the heart of this play. Shocking as it was in its time it still now remains so, although with less poignancy but y...

12Jul

By Tracey BellNo Comments

Yorkshire & Humber

Chariots of Fire – Crucible Theatre

Chariots of Fire is the stage adaptation by Mike Bartlett of the 1981 Oscar winning motion picture. This Sheffield Theatre production is cleverly directed by resident award winning Artistic Director Robert Hastie and unfortunately, his last Sheffield production in the role. Hastie with Associate Director Lilac Yosphon and Assistant Director Chantell Walker re-imagine what was first performed at the Hampstead Theatre in London in 2012. In the Olympic year of 2024, this production marks 100 years since the Paris Olympics of 1924 when this extraordinary real life story takes place and is subsequently dedicated to Sheffield Olympians past and present. It would seem the circular stage (theatre in the round) of the Sheffield Crucible is the perfect location to house a production that requires...

Chariots of Fire at The Crucible production images released

11Jul

By NewsdeskNo Comments

NEWS

Chariots of Fire at The Crucible production images released

Sheffield’s Crucible Theatre has released images from their current production of Chariots of Fire. Adapted by Mike Bartlett (Doctor Foster, King Charles III) from the 1981 Oscar-winning film based on the remarkable events of the 1924 Olympics and directed by Sheffield Theatres’ Artistic Director Robert Hastie, this production marks the 100th anniversary of the true stories of Eric Liddell and Harold Abrahams and their record-breaking achievements. The cast includes: Bethany Antonia as Florence and Frank; Adam Bregman as Harold Abrahams; Richard Cant as Master of Caius; Waleed Elgadi as Sam and as cast; Bessy Ewa as Sybil; Sally Frith as cast; Tom Glenister as Aubrey Montague; Mark Lockyer as Master of Trinity; Lois Pearson as Jennie and as cast; Eddie-Joe Robinson as Schloz and as c...

14Jul

By Tracey BellNo Comments

Yorkshire & Humber

Miss Saigon – Crucible Theatre

Billed as Sheffield Theatre’s new production of Boublil and Schonberg’s Miss Saigon, this production marks my 40th visit to see this show. My first being back at Drury Lane in late 1989, and I have also been lucky enough to direct the show back in 2018, therefore, I would consider myself to be a bit of a connoisseur. Yes, I am aware of the political issues that surround it, I am aware that creating a new production was met with anger from some, but I am also aware that highlighting issues allows the audience to formulate their own responses … our history is relevant to our future. I have given myself a length of time to digest what I saw last night before reviewing this production. It is new, it is different, it is edgier, starker, less self-indulgent in its direction and more invested ...

<strong>Standing at the Sky’s Edge – Crucible Theatre</strong>

29Dec

By Paul WilcoxNo Comments

Yorkshire & Humber

Standing at the Sky’s Edge – Crucible Theatre

Some books you only ever want to read once, some films do not stand up to the scrutiny of a second watch, and some plays you will try to forget before you even leave the theatre foyer. I reviewed 'Standing at the Sky's Edge' in its original incarnation at the Crucible Theatre back in March 2019, when I had no hesitation in naming it amongst my top five shows of that year. I'm delighted to say that this revival matches the original production in every way, my love affair with this superb production was rekindled and London audiences are in for an invigorating blast from the north when it transfers to the National Theatre early in 2023. Retaining eight of the original cast of nineteen, including the core of the lead performers, allows these actors to revisit and more fully explore their c...

14Feb

By Jo TillotsonNo Comments

Yorkshire & Humber

Anna Karenina – Crucible Theatre

As the house lights go down, a series of spotlights reveal a lone figure: Anna Karenina. “This is my story”, she says. But she is not in this alone. Two main stories are intertwined. The titular character, Anna, an unfulfilled wife and mother, meets Count Vronsky, an officer in the Russian army; they begin a passionate affair, and the consequences are dramatic. At the same time, Constantin Levin, an idealistic young landowner, is courting Kitty, Anna’s sister-in-law, and is learning what it means to experience heartbreak and learn responsibility. Helen Edmundson’s adaptation of the epic novel by Leo Tolstoy takes a story that we think we are familiar with – but probably don’t know as well as we think we do and makes it accessible to a new generation. “Where are you now?” Anna and Lev...