Criterion Theatre Archives - North West End UK

23Oct

By Amelia RoseNo Comments

London

Amaze – Criterion Theatre

Running for a limited time at the Criterion Theatre, Jamie Allan has brought his magic show ‘Amaze’ to London. Running just under 2 hours you get to witness his magical journey, starting all the way back as a child, being dragged to an antique shop by his mum and stumbling upon a heaped stack of magic books, hats and devices. Magic follows through his story, filled with eerie coincidences which can only be explained as fate- he is doing exactly what he should be doing and God, is he good. Allan, through his story reminds the audience that we, too should put more trust in fate, to celebrate who we are and what we love, to really trust the magic in life. Allan is incredibly inspired by his late parents who always shared his dream and would be astounded at where he is today. It is an incredib...

The Merchant of Venice 1936 – The Criterion Theatre

26Feb

By Caroline WorswickNo Comments

London

The Merchant of Venice 1936 – The Criterion Theatre

Relocated from the traditional Venice of the 16th century, to 1930’s East End of London, this thoroughly re-worked and re-freshed version of The Merchant of Venice, uses a different period in history to tell its story. The outline of the story remains unchanged. Antonio (Raymond Coulthard) hopes to assist his friend Bassiano (Gavin Fowler) who wishes to court the wealthy Portia (Hannah Morrish); by obtaining a loan from Shylock (Tracey-Ann Oberman). Antonio suffers financial setbacks, and cannot repay the loan, unfortunately, the penalties for this are not financial, Shylock wants her pound of flesh. And yes, you noticed that Shylock is a woman! Oberman imagined a Jewish matriarch, inspired by her grandmother who fled an antisemitic country to arrive in Lon...

20May

By Carole GordonNo Comments

London

Bleak Expectations – Criterion Theatre

Based on the award-winning BBC comedy of the same name, Mark Evans' Bleak Expectations takes everything you think you know about Charles Dickens work, chucks it in the air and sees where it lands. There are some recognisable features of Dickens - foggy London, mistaken identities, legal intricacies, cruel headmasters. There the similarities deliberately end. Evans' hilarious comedy is narrated by Sir Philip Bin, who takes the audience through his life, introducing the characters who have shaped him. Known as Pip, Sir Philip's overwhelming motivations are to protect his family and find true love. This does not always prove straightforward; he survives the cruelty of a public school with its regular beatings and lack of edible food, his mother goes mad after Pip's father dies abr...

Pride and Prejudice (sort of) – Criterion Theatre

4Nov

By Alice RoseNo Comments

London

Pride and Prejudice (sort of) – Criterion Theatre

I don’t know what I was expecting walking into an all-female Pride and Prejudice, but I left with ready for a complete re-write of literature and Isobel McArthur to lead the revolution. The energy, commitment, enjoyment they had to be there was streamed through this theatre, it felt like a gift to witness. Isobel McArthur, writer and performer was commissioned to write a stage production of Pride and Prejudice for Tron Theatre four years ago after having never read the book. Since then she has been developing this play to finally land at the Criterion Theatre in London where 5 actors enter the stage as we enter our seats only to assure us that it hasn’t started yet- they just need to grab their rubber glove from the chandelier. Everything is very much in their gloved hands, as they r...

3Jun

By Gemma PrinceNo Comments

London

Amélie The Musical – Criterion Theatre

Based on the hit 2001 French film by Jean-Pierre Jeunet and Guillaume Laurant of the same name, Amélie tells the story of a young Parisian waitress living in her own little vibrant world. Following a sell-out tour in 2019, the musical adaptation has finally arrived in the West End. I must confess, I have not yet seen the motion picture although I am familiar with it, but after watching the show, Amélie is certainly at the top of my must watch list. Michael Fentiman’s production certainly creates the imaginative world of the young heroine I was hoping for. From the joyful opening number to Dik Downey’s creative puppetry of Amélie as a child struggling to cope with her distant father (Jez Unwin), the production really delves into the colourful imagination of the quirky lead. Audrey Bri...