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Monday, April 21

Tag: Coronet Theatre

RELIC – Coronet Theatre
London

RELIC – Coronet Theatre

RELIC suggests in its blurb that it is about “what survives from the past. A thing left behind, be it a memory, an object, a language or being”. On stage, we are treated to a barrage of images, sequences, and absurdist stand up and cabaret style performances from a strange figure: initially in just heels and a kind of bloated, amorphous body suit, this grotesque mannequin transforms and mutates throughout the performance, taking on several forms that are barely, but not entirely un-human. It's a strange show. At the heart of the piece is Euripides Laskaridis’ incredible performance which is itself a serious feat. Purely on a physical level, it demands a great deal of endurance and an incredible physical awareness of the body on stage. But considering he is also the director and set desi...
Pandora – Coronet Theatre
London

Pandora – Coronet Theatre

Under the masterful direction of Riccardo Pippa, PANDORA marks the second coming of the Italian physical theatre company Teatro Dei Gordi at the Coronet, and it’s nothing short of a gem. Set in a public toilet at what’s likely the most transient, eclectic train station in town, the stage transforms into a delightful playground for a colourful parade of modern "stock characters," sharing surprisingly intimate moments. From a clumsy germaphobe facing a grandpa with childlike incontinence, to a failed cook and a struggling office manager finding solace in a quick smoke, ballroom dancers battling stage fright, and my personal favourite, an appalling street performer whose memory and confidence are restored by a caring commuter, each character bursts with quirks and backstories. The shee...
Stranger Than the Moon – Coronet Theatre
London

Stranger Than the Moon – Coronet Theatre

The Coronet Theatre’s Stranger Than the Moon offers a poetic and contemplative exploration of Bertolt Brecht’s restless mind, one of the giants of 20th-century theatre. Directed by Oliver Reese, the production dives headfirst into the fractured psyche of the German soul—seduced by its own intellectual sharpness yet shattered by the horrors and absurdities of the human race. The show opens with the haunting refrain, “I live in dark times,” establishing a tone of existential unease. From there, it weaves a musical tapestry of Brecht’s own poems, songs, biographical notes, and video, exploring themes of absurdity and survival. This reflective approach, while intellectually engaging, sometimes falters, leaning into cerebral abstraction at the expense of theatrical dynamism. Brecht’s cha...
The Beckett Trilogy – Coronet Theatre
London

The Beckett Trilogy – Coronet Theatre

How much Beckett is too much Beckett? For performer and producer Conor Lovett it seems the limit may not exist. His prodigious memory and inexhaustible articulation are well displayed in this production of three plays from the novels Molloy, Malone Dies, and The Unnamable all written by Samuel Beckett. Alone on stage but very much confederate with a captive audience eager to absorb what they can from his nearly three-hour monologue, Lovett is tremendously impressive and knows it too. Directed and designed by Judy Hegarty Lovett, his conspirator in Gare St Lazare Ireland, a touring production company specializing in “presentations” of Beckett’s various works. The style of this production is extremely presentational and clearly preoccupied with faithful interpretation of the great ...
Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre
London

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

Acclaimed French pianist and composer Jean-Michel Bernard is best known for writing, performing, and scoring for films such as Hugo and Be Kind Rewind. But in his second of two nights delighting audiences at Notting Hill’s Coronet Theatre, Bernard played tribute to another icon of the genre, Lalo Schifrin. Bernard delicately took us along a journey through Schifrin’s music, as well as other compositions inspired by his artistry, for an evening that highlighted the inimitable power of music to transport us to another time and place entirely. Accompanied by nothing but his piano, simple lighting and an adorable picture of his beloved chihuahua Onion, Bernard had an astutely commanding presence in the characterful space, and his effortless mastery of his instrument was bewitching. ...
GOOD-BYE – Coronet Theatre
London

GOOD-BYE – Coronet Theatre

A sizzling, poetic piece from Japanese theatre company, Chiten Theatre, weaves snapshots of Osamu Dazai’s life and literature together. The rhythmically acute cast form characters sat at a bar in Tokyo. As they swig their drinks, they build the tension as Dazai nears his impending suicide. A beautifully choreographed sequence sees the characters popping and pulsing, drawing out “Good bye”, a syllable per person. Slowly, this morphs into the main body of the show, which externalises Dazai’s emotional journey, exploring the notions of living and dying, through the particular nihilistic post-war lens. The cast embody characters from Dazai’s life, his stories, and also his own voice. The narrative, elegant in its simplicity, conveyed an intense longing and desire to understand life a...
Lemn Sissay – Poetry Club at the Coronet Theatre
London

Lemn Sissay – Poetry Club at the Coronet Theatre

In 2016, I shared a green room with Lemn Sissay. We were both guests on BBC 2’s Newsnight. I’d been roped in at the last minute to discuss ‘bisexual erasure’. Sissay was on the show to highlight National Poetry Day and to mark the occasion, he delivered a blistering and hypnotic performance of ‘Architecture’. It’s a poem about awesome potential, chaos and evolution. Look it up YouTube. One minute and nineteen seconds that will leave you breathless. To be honest, I was more excited about being in a room with this exceptional poet, than being on live television or getting grilled by Evan Davis. Lemn Sissay is a BAFTA-nominated, award-winning one-man dynamo. He’s written collections of poetry and plays, while his memoir My Name Is Why was a number one Sunday Times bestseller. His work i...
Le Petit Chaperon Rouge – Coronet Theatre
London

Le Petit Chaperon Rouge – Coronet Theatre

Adapting a world-renowned children’s tale for the stage is never an easy task, for one must find a judicious balance between the source text’s reliance on the reader’s imagination and the multisensorial viewpoints afforded by live action. For French playwright and director Joël Pommerat, this isn’t a new challenge. His new interpretation of his 2006 play for children ‘Le Petit Chaperon Rouge’ (Little Red Riding Hood) premiered for UK audiences at the Coronet Theatre on 17th November 2021. This was the first in a trilogy of fairy tales that have been adapted by Pommerat for the stage, having previously directed ‘Pinnochio’ in 2008 and ‘Cendrillon’ (Cindrella) in 2011. With minimal stage design and measured performances by the ensemble of performers, Pommerat’s treatment brings forth a darke...