Coronet Theatre Archives - North West End UK

Dead Poets Live: Emily Dickinson – Coronet Theatre

8Mar

By Louise PennNo Comments

London

Dead Poets Live: Emily Dickinson – Coronet Theatre

Dead Poets Live aims to bring poetry to the stage, “creating theatre out of poems and poets”. Over the last ten years, poets from the past from Yeats and Byron to Robert Frost and Stevie Smith have been resurrected in the person of actors such as Rupert Everett, Glenda Jackson, Denise Gough and Monica Dolan. Patsy Ferran is centre stage tonight as one of America’s greatest poets, Emily Dickinson, a 19th century writer who flirted with modernism before it had a name and engaged fully with the world while remaining reclusive and withdrawn physically from it. Her poems are noted for their odd metre and punctuation – chiefly dashes – while offering playful and perceptive views of melancholia, religion and nature. Although other stagings of Dead Poets Live have been presented in full ...

28Feb

By Klervi GavetNo Comments

London

Last and First Men – Coronet Theatre

At a time when humankind seems increasingly determined to write itself out of its own timeline, Neon Dance’s Last and First Men feels uncannily well placed. This 65-minute movement piece is a resonant speculative journey, with at its heart an act of listening: to the future, to the deep past, and to the fragile thread that still connects them. Based on Olaf Stapledon’s visionary 1930s sci-fi novel, the piece imagines a far future in which the last remnants of humanity reach back across two billion years to address us, the “first men”. Under the inspired direction of Adrienne Hart, the dancers — Fukiko Takase, Aoi Nakamura and Kelvin Kilonzo — perform with an otherworldly, masterful precision that feels recognisably human yet unmistakably other, as if the genus Homo had remained while th...

The Story of Peer Gynt: An Evening with Kåre Conradi – The Coronet Theatre

24Feb

By Ralph JeffreysNo Comments

London

The Story of Peer Gynt: An Evening with Kåre Conradi – The Coronet Theatre

The Story of Peer Gynt is part lecture, part show and altogether brilliant. On a stage that is almost entirely bare, save a single chair turned away from the audience, Kåre Conradi welcomes us. He begins to tell us a bit about Ibsen, about Peer Gynt and about the Norwegian award named after him. In the space of just over an hour, he promises he will take us through the story. He does this by switching between a description of the plot in the manner of an engaged lecturer and sudden moments of dramatisation, where – with a surprising ease – he takes on the emotions, ambitions and character of Peer. Most of these moments he gives to us in English. Occasionally, he slips into the original Norwegian, though never without giving those of us who can’t speak it a clear sense of what he is sayi...

6Feb

By Ralph JeffreysNo Comments

London

The Gambler – Coronet Theatre

This adaptation of The Gambler by Chiten Theatre is an interesting idea but unfortunately is an exhausting experience for its audience. Dostoevsky’s short novel is all about a cast of characters sucked in by the thrill and appeal of gambling and the pursuit of inheritance. Whether it is the central character Alexei (Takahide Akimoto) betting to win his love Polina or the grandmother winning and losing money at the roulette table, everyone seems to succumb to it. This adaptation pairs an absurdist, physical style with large chunks of Dostoyevsky’s complicated text (translated into Japanese). It’s a bold proposition, but sadly it's one that gets quite lost amid the sheer intensity of the production, which leaves the audience inundated. From the very first, the actors’ energy is through...

21Jun

By Savitha VenugopalNo Comments

London

Medea – The Coronet Theatre

This is Medea like you have never seen it before. Director Satoshi Miyagi takes an ancient masterpiece, tweaks it, paints it in fresh colours, and creates a jewel that dazzles. This is no mere telling of a story, it is an experience. Performed in Japanese with English subtitles, the play is set in a restaurant in Meiji era Japan. It is a time of wide-ranging changes from government policies to education systems to trade. A group of male patrons in the restaurant has decided to perform Medea. Each character will be played by two people – a male “speaker” who will deliver the lines, and a female “mover” who will act them out. The female staff of the restaurant present themselves to be picked for the roles. They appear on stage dressed in kimonos of the same shade, brown bags on their ...

4Apr

By Ralph JeffreysNo Comments

London

RELIC – Coronet Theatre

RELIC suggests in its blurb that it is about “what survives from the past. A thing left behind, be it a memory, an object, a language or being”. On stage, we are treated to a barrage of images, sequences, and absurdist stand up and cabaret style performances from a strange figure: initially in just heels and a kind of bloated, amorphous body suit, this grotesque mannequin transforms and mutates throughout the performance, taking on several forms that are barely, but not entirely un-human. It's a strange show. At the heart of the piece is Euripides Laskaridis’ incredible performance which is itself a serious feat. Purely on a physical level, it demands a great deal of endurance and an incredible physical awareness of the body on stage. But considering he is also the director and set desi...

28Feb

By Klervi GavetNo Comments

London

Pandora – Coronet Theatre

Under the masterful direction of Riccardo Pippa, PANDORA marks the second coming of the Italian physical theatre company Teatro Dei Gordi at the Coronet, and it’s nothing short of a gem. Set in a public toilet at what’s likely the most transient, eclectic train station in town, the stage transforms into a delightful playground for a colourful parade of modern "stock characters," sharing surprisingly intimate moments. From a clumsy germaphobe facing a grandpa with childlike incontinence, to a failed cook and a struggling office manager finding solace in a quick smoke, ballroom dancers battling stage fright, and my personal favourite, an appalling street performer whose memory and confidence are restored by a caring commuter, each character bursts with quirks and backstories. The shee...

Stranger Than the Moon – Coronet Theatre

5Dec

By Klervi GavetNo Comments

London

Stranger Than the Moon – Coronet Theatre

The Coronet Theatre’s Stranger Than the Moon offers a poetic and contemplative exploration of Bertolt Brecht’s restless mind, one of the giants of 20th-century theatre. Directed by Oliver Reese, the production dives headfirst into the fractured psyche of the German soul—seduced by its own intellectual sharpness yet shattered by the horrors and absurdities of the human race. The show opens with the haunting refrain, “I live in dark times,” establishing a tone of existential unease. From there, it weaves a musical tapestry of Brecht’s own poems, songs, biographical notes, and video, exploring themes of absurdity and survival. This reflective approach, while intellectually engaging, sometimes falters, leaning into cerebral abstraction at the expense of theatrical dynamism. Brecht’s cha...

25Jun

By Kira DanielsNo Comments

London

The Beckett Trilogy – Coronet Theatre

How much Beckett is too much Beckett? For performer and producer Conor Lovett it seems the limit may not exist. His prodigious memory and inexhaustible articulation are well displayed in this production of three plays from the novels Molloy, Malone Dies, and The Unnamable all written by Samuel Beckett. Alone on stage but very much confederate with a captive audience eager to absorb what they can from his nearly three-hour monologue, Lovett is tremendously impressive and knows it too. Directed and designed by Judy Hegarty Lovett, his conspirator in Gare St Lazare Ireland, a touring production company specializing in “presentations” of Beckett’s various works. The style of this production is extremely presentational and clearly preoccupied with faithful interpretation of the great ...

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

20May

By Olivia CoxNo Comments

London

Jean-Michel Bernard Plays Lalo Schifrin – Coronet Theatre

Acclaimed French pianist and composer Jean-Michel Bernard is best known for writing, performing, and scoring for films such as Hugo and Be Kind Rewind. But in his second of two nights delighting audiences at Notting Hill’s Coronet Theatre, Bernard played tribute to another icon of the genre, Lalo Schifrin. Bernard delicately took us along a journey through Schifrin’s music, as well as other compositions inspired by his artistry, for an evening that highlighted the inimitable power of music to transport us to another time and place entirely. Accompanied by nothing but his piano, simple lighting and an adorable picture of his beloved chihuahua Onion, Bernard had an astutely commanding presence in the characterful space, and his effortless mastery of his instrument was bewitching. ...