Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, March 30

Tag: Claire Greenway

Beautiful: The Carole King Musical – Festival Theatre, Edinburgh
Scotland

Beautiful: The Carole King Musical – Festival Theatre, Edinburgh

‘But the music keeps playing And won’t let the world get me down.’ These lyrics from the title track of Carole King’s third album ‘Music’, released a mere 11 months after the legendary ‘Tapestry’ in 1971, could easily explain her life and career, neither of which were short of ups and downs. The question was, how on earth could anyone do it justice in just over two hours? The moment the lights went down from her seat at the centrally placed piano, Molly-Grace Cutler (Carole) banished any concerns. The opening lines of ‘So Far Away’ were a hairs-on-the-back-of-the-neck/lump-in-the-throat moment. Her voice (whether she’d worked on it or not) was uncannily ‘Carole’, the theatre pin-drop silent. There followed an entertaining, slightly rushed account of her early years; learning the p...