BULL – HOME Mcr
Imagine if David Brent busted a few moves and communicated in British Sign Language (BSL) then you get a sense of what BULL was all about.
Like Mamet’s masterpiece Glengarry Glen Ross this was on one level a play about toxic office politics, but also a perceptive examination of power, and more importantly which of the characters had it. What sets BULL apart is that the cast communicate in BSL throughout with hearing members of the audience relying on captions above the stage.
I’d seen a few works at Leeds Playhouse where BSL had been partially integrated but Deafinitely Theatre as the first deaf led company had gone much further as the hearing amongst us found ourselves where people with hearing issues routinely find themselves in theatre land. As director Paula Garfield no...
