Church Hill Theatre Archives - North West End UK

As You Like It: A Radical Retelling – Church Hill Theatre

22Aug

By Jessie MartinNo Comments

Scotland

As You Like It: A Radical Retelling – Church Hill Theatre

Crow’s Theatre presents the Scottish premiere of the aptly named As You Like It: A Radical Retelling at the Edinburgh International Festival; written by Indigenous Canadian playwright Cliff Cardinal, this is a work that is confrontational, provocative and polarising in the most spectacular way. This piece highlights the marginalisation and injustices the Indigenous people have faced and still face today. Demanding our attention, we are forced to interrogate the authenticity, intentionality, and effects of our allyship - the pointed delivery is shocking and bold, but completely imperative to the message of the show. The audience is largely involved with a great usage of direct address - the lead performer often stopped the show to chastise audience members for being...

Cutting The Tightrope – Church Hill Theatre

16Aug

By Tom ScottNo Comments

Scotland

Cutting The Tightrope – Church Hill Theatre

This is a compelling, provocative and passionate piece of theatre about artistic freedom, censorship and political activism. You may love it, you may hate it, but you certainly won’t be bored. Originally produced last year at London’s Arcola Theatre, this collection of short plays was written in response to a statement from Arts Council, England, in 2024, warning that artists making political statements either in their work or even on social media could be in breach of their funding agreements. Later it was revealed that the statement followed discussions with the British Government about artists speaking out about the Israel-Gaza war. We know the names of the twelve playwrights but we don’t know who wrote each play. Although all the plays are making serious points, some of them are ...

29May

By Oliver GigginsNo Comments

Scotland

The Watsons – Church Hill Theatre

When Jane Austen died in July of 1817, she left behind six completed novels (four already published and two released not long after her death) and several volumes of unpublished juvenilia, as well as two aborted novel starts. These include Sanditon, which she was working on when she died, and 1803's The Watsons, which marked the transitionary period between her childhood attempts and the later novels with which she would find various levels of success. Austen's subsequent comparatively small canon of works and her status in literature has led to a small but passionate fascination with these lesser works, especially in recent years. While continuations, sequels and spin-offs of Austen are nothing new, over the last decade we have also had big-name adaptations of Lady Susan from her juven...

Beauty and the Beast – Church Hill Theatre

2Apr

By Greg HolsteadNo Comments

Scotland

Beauty and the Beast – Church Hill Theatre

We all know that opening nights can go one of two ways; either a riot of mistakes ,technical blunders and missed lines or that rare perfect explosion of nervous energy which propels the production to new heights. I’m happy to say that tonight, on April Fool’s day, this is no blundering joke, instead it is one of those unique stunning, wonderful events. But this is no happy accident. Whether by stick or carrot, Director Louise Sables pulls off a masterclass of amateur direction and casting, to marshal the talented folks of EMT to tell a simple story with real emotion, humour and clarity, and at a pace that many a professional production would only dream of, whilst eking out a meagre budget in all the right places. Take the costumes for example: to open the programme and find that the ...

The Sleeping Beauty – Church Hill Theatre

16Dec

By Greg HolsteadNo Comments

Scotland

The Sleeping Beauty – Church Hill Theatre

This traditional Panto is great family entertainment, including cheesy jokes, audience participation, sing alongs and all the familiar ‘panto’ tropes. Edinburgh People’s Theatre throw themselves into this retro production, and you find yourself laughing, singing and shouting out ‘behind you!’, almost in spite of yourself. It’s enough to make even a moody teen smirk! On the night I attended the massed ranks of Brownies and Guides and large family groups fairly filled up the well appointed and comfortable seats of the Church Hill Theatre and provide plenty of atmosphere and hilarious heckling in all the right places. When dame, Derek Ward, as Queen Dorothy asks if his ‘bum looks big in this’, he looks suitably hurt by the inevitable audience responses. Mandy Black’s assured directi...

16Aug

By Kathleen MansfieldNo Comments

Scotland

The Outrun – Church Hill Theatre

Amy Liptrot's 2015 memoir of a generation lost to trivia and over-consumption certainly struck a chord. A film of the book is released this year plus this co-production between Edinburgh International Festival and Royal Lyceum Theatre Edinburgh. The Outrun is beautifully staged. Milla Clarke works some artistic magic, along with a collection of talented creatives from Lewis den Hertog on video (superb), Lizzie Powell on lighting, Michael Henry and Kev Murray on music and sound. The piece is cleanly directed by Vicky Featherstone. Vicki Manderson’s chorus opening as waves is very atmospheric and intriguing. Set partially in Orkney, waves are relevant. Additionally, a wave can knock us off our feet and fighting a wave can prove fruitless. Metaphorically, the waves work for this pie...

Brief Encounter – Church Hill Theatre Edinburgh

1Apr

By Melissa JonesNo Comments

Scotland

Brief Encounter – Church Hill Theatre Edinburgh

Brief Encounter started as a play called Still Life before Noel Coward translated it to the stage with his immortal screenplay. Emma Rice’s highly rated re-adaptation of Brief Encounter for the stage meets both mediums somewhere in the middle. The original screenplay is pastiched beyond belief- even if you’ve never seen it, you will have seen at least one comedy skit. Married suburban mother Laura Jesson is passing through the train station when a piece of grit gets in her eye. Saved from potential blindness by fellow train traveler, the married Dr Alec Harvey, passions are ignited. The trouble is, it’s the late 1930s, and their burning love for each other is ruinous, so here their love story pans out against a motley crew of other travelers, clientele and servers in the train station c...

<strong>Vanity Fair – Church Hill Theatre</strong>

17Nov

By Oliver GigginsNo Comments

Scotland

Vanity Fair – Church Hill Theatre

Vanity Fair is, when it's not inspiring magazine titles, a novel by William Makepeace Thackeray, first published serially between 1847 and 1848. It was memorably subtitled "a novel without a hero" due to its protagonist, Becky Sharp, spending its entire duration trying to better her position in life with little care for the repercussions on supposed friends, (richer) husbands or even her own child. Because of this, the story isn't "just" a period costume drama, and any adaptation has to contend with a cynical protagonist doing unlikeable things while still keeping the audience engaged, and possibly even rooting for her. This aspect, which was previously managed so masterfully by a British TV adaptation, was something the twenty-year-old Reese Witherspoon vehicle film (which cast the TV ...