Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Monday, March 31

Tag: Christopher Glover

Now That’s What I Call a Musical – Hull New Theatre
Yorkshire & Humber

Now That’s What I Call a Musical – Hull New Theatre

Set in Birmingham, the Brummy tones in this new musical were a joy to listen to. Now That’s What I Call a Musical, written by Pippa Evans and directed and choreographed by Craig Revel Horwood, of Strictly Come Dancing fame, charts the lives of two best school friends, whose loves, hopes, dreams (shattered or otherwise) are played out to some of the greatest pop hits of the 1980s. It’s 1989, and April (Maia Hawkins) and Gemma (Nikita Johal) are typical schoolgirls - April is blonde, bubbly and dreams of stardom in Hollywood. Her bestie, the shorter, dark-haired Gemma, dreams only of marriage and having kids. Gemma’s family are a scream - that accent again. Dad (Christopher Glover) works in a car factory, while Mum (Poppy Tierney), seems to spend her time laying the kitchen table...
Now that’s What I Call a Musical – Sheffield Lyceum
Yorkshire & Humber

Now that’s What I Call a Musical – Sheffield Lyceum

Now that’s what I call a…. trip down memory lane for an 80’s kid! I was smiling until my jaw ached as the now 40 year old ‘Now That’s What I Call’ music CD phenomenon blasted out the songs of my youth. The music is prominent in Now, That’s What I Call a Musical as the name implies…The production is unapologetically nostalgic and a little lacking in depth at times, but the soundtrack of a generation takes centre stage as the story underscores the songs for once. And it works a treat! Penned by comedian Pippa Evans and inspired from the screenplay ‘The Video Help Service’ by Ian W Brown, Lotte Mullan and Natalie Malla, the story starts in 2009 and thrusts us back into 1989. Cleverly directed and choreographed by Craig Revel Horwood, we are greeted by two simultaneous time eras as we se...
The Kite Runner – Sheffield Lyceum
Yorkshire & Humber

The Kite Runner – Sheffield Lyceum

Based on the bestselling novel by Khaled Hosseini and adapted for the stage by Matthew Spangler, The Kite Runner is an epic tale of childhood friends Amir and Hassan, set in the backdrop of Afghanistan in the 1970’s. Their tumultuous story is seemingly mirrored by the horrific realities of a country on the cusp of war. The Kite Runner does not shy away from mature themes of the atrocities of brutality, rape, war and political upheaval and handles them with an exemplary display of compassionate sensitivity. Directed by Giles Croft with Design by Barney George and Composition and Musical Direction by Jonathon Girling this production is all encompassing and draws the audience into a time of affronting through Amir’s own story. If you have read the 2003 book, then I would say this production; ...