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Monday, March 17

Tag: Catastrophe

Samuel Beckett in Confinement – University of Liverpool
North West

Samuel Beckett in Confinement – University of Liverpool

Beckett is a little bit like the proverbial buses: there’s never any when you’d just like one then suddenly they all come along at once. In the case of Beckett: Confined, a three day-festival of Samuel Beckett’s plays, associated musical performances, and lectures exploring the politics of closed space as a reading of our times, you couldn’t really want for much more. The programme – brought together by Unreal Cities in association with the University of Liverpool’s Institute of Irish Studies, The Keough-Naughton Institute for Irish Studies at the University of Notre Dame's Keough School of Global Affairs, and Culture Ireland–  presents an exciting blend of Beckett’s work, including multiple performances of some of his most rarely performed plays alongside a musical series, all pre...
Samuel Beckett in Confinement: Festival 6th – 8th May 2022
NEWS

Samuel Beckett in Confinement: Festival 6th – 8th May 2022

There’s no more waiting for Beckett with tickets now available for a weekend festival of the works of Samuel Beckett, exploring the politics of closed space as a reading of our times. The University of Liverpool’s Institute of Irish Studies and University of Notre Dame in association with Unreal Cities Theatre Company is pleased to present Samuel Beckett in Confinement, a three-day festival of Samuel Beckett’s plays, associated musical performances and lectures. Samuel Beckett (1906-1989) was one of the 20th century’s most celebrated playwrights and authors, winning the Nobel Prize for Literature in 1969. His works examine what it means to be human, in all its absurd, existentialist and sometimes bleak comedy. The programme, curated by celebrated actor and director Adrian Dunbar a...
Beckett in Birkenhead – Christ Church, Oxton Village
North West

Beckett in Birkenhead – Christ Church, Oxton Village

I adore Samuel Beckett, so I jumped at the chance to see two of his short plays being performed. There’s a perception that his writing – like the man – is complex but in reality, it is a theatrical experience that credits its audience with being intelligent and allows them to interpret accordingly. Tonight’s pieces also highlighted the continuing relevance of his work in capturing the consistency of human emotion and behaviour over time, or as he may well have put it: plus ça change, plus c'est la même chose. Directed by Daniel Taylor and produced by Pauline Fleming, we open with Play as we observe three heads poking out from funeral urns – Man (Phil Perez), W1 (Fleming), and W2 (Paula Simms) – in some kind of purgatory as they recall the events of an affair that connects them although ...