Friday, November 22

Tag: Carousel

Carousel – Regent’s Park Open Air Theatre
London

Carousel – Regent’s Park Open Air Theatre

Walking into the atmospheric surroundings of an open-air theatre is always a joy, never more so than with the anticipation of seeing one of Rodgers and Hammerstein's most popular musicals. Carousel is undoubtedly a classic and was even voted the best musical of the 20th Century by TIME magazine. Written in 1945, the story is a simple one: young millworker Julie Jordan meets bad-boy and serial womaniser carousel barker Billy Bigelow and is immediately smitten. So much so that she risks her livelihood just as he's also given the sack. Living on the generosity of family and friends, their situation goes from bad to worse when Julie tells Billy she's pregnant and he becomes desperate to provide for his family and is willing to risk, and lose, all. Carly Bawden is a charmingly innocent Julie...
Regent’s Park Open Air Theatre confirms Carousel initial principal casting and creative team
NEWS

Regent’s Park Open Air Theatre confirms Carousel initial principal casting and creative team

Regent’s Park Open Air Theatre have confirmed initial principal casting for Rodgers and Hammerstein’s Carousel, which plays 31st July – 25th September. Carly Bawden and Declan Bennett play Julie Jordan and Billy Bigelow, John Pfumojena plays Enoch Snow, Olivier Award-winner Joanna Riding plays Nettie Fowler and Natasha May Thomas plays Louise Bigelow. Carousel is created by Joanna Bowman (associate director), Lucy Casson (casting director), Tom Deering (musical supervisor and orchestrator), Mark Dickman (associate musical director), Molly Einchcomb (co-costume designer), Annie May Fletcher* (creative team associate – sound), Barbara Houseman (season associate director/voice and text director),  Nick Lidster (sound designer), Simisola Majekodunmi* (creative team associate – lighting...
Carousel – Lincoln Centre
REVIEWS

Carousel – Lincoln Centre

One of the joys of lockdown has been the opportunity to see shows that were missed due to timing or location.  The enjoyment of these productions has been slightly bittersweet as theatres have remained dark and the industry has faced incredible hardship.  However, the latest government announcement provides some hope for the future as audiences accustom themselves to social distancing, and producers figure out how to make it financially viable.  The Lincoln Centre’s 2013 production of the Rodgers and Hammerstein classic Carousel seems appropriate in tone for the new normal with its hopeful rather than happy ending.  The show is not without its issues for a contemporary audience, particularly in its handling of domestic violence, but the Lincoln Centre production cele...