Caroline Quentin Archives - North West End UK

15Oct

By Kathleen MansfieldNo Comments

Scotland

The Seagull – Royal Lyceum

The Seagull is the complete package thanks to James Brining's direction. The casting is perfect; the set sumptuous; the costumes tip-top and the adapted script a true delight. Mike Poulton, the witty script adaptor, praises The Lyceum as “a theatre and a company Chekhov would have loved.” The cast of eleven certainly warm your heart, being consistently strong across the board. There is humour, tenderness, spite and selfishness aplenty. The Seagull offers a study in human folly, with each of us striving for originality and acknowledgement in a world where our relationships and the perspective of “the other” tarnishes and corrupts our pure intentions. The human experience is presented with simplicity. The tragedy of despised love and our willingness to accept crumbs, or nothing at a...

By Royal Appointment – The Lowry

The month of August in the world of theatre traditionally tends to be quiet, with eyes turned towards Edinburgh and the delights of the Festival and Fringe. It was therefore a surprise to see ‘By Royal Appointment’ drop into my inbox for review this month; a show with a stellar cast; fantastic director and written by a prominent television writer making her first foray into work on the stage. Unfortunately, the combined efforts of such talent merely result in a pedestrian, obvious and lacklustre production which reminded me of the description of the camel as ‘a horse designed by a committee’. Daisy Goodwin is no stranger to writing about the private lives of the Royal family, her ITV series ‘Victoria’ was a huge worldwide success, and she has chosen familiar ground with her first produc...

By Royal Appointment – Richmond Theatre

The late Queen’s view on almost all topics is famously unknown. She rarely made public statements or gave interviews, and all her speeches were carefully drafted. On the other hand, she was also the most photographed woman in the world. So, exploring the use of her outfits as a way expressing her views upon the world and its events is an interesting idea, which lies behind Daisy Goodwin's new play at the Richmond theatre, part of a UK tour. The play starts and ends immediately after the Queen's funeral and in between is a series of vignettes of periods in her life, starting in 1969 and proceeding chronologically until her death 53 years later. The setting is the sumptuous interior of a royal residence, we are never quite sure which, with long drapes in glorious colours, a few well-chose...