Canal Café Theatre Archives - North West End UK

17Sep

By Michelle KnightNo Comments

London

Sufficient Merit – Canal Café Theatre

Sufficient Merit is a new play by Emma Paige Baker. This short play focusses in on four actors Tess, Emma Baker, Eleanor, Alia Lahlou and Ted, T’ai Hartley and their landlord Bob played by all three characters. Oh, and a fictional Chihuahua; whose lives are entwined through their work, their living arrangements and a shared desire to create the next best play. Their world is turned upside down when Bob delivers the bad news, the not so bad news and the good news to the trio. Their home, and theatre company is under threat from an external investor, AI creatives that could replace everything they had ever known. The foundation of this play is centred around the real challenges faced by the actors of trying to put on a play “which keeps getting roadblocked” by bad news. So, they decide...

Maz Pantz – Canal Café Theatre

Created and performed by Mary Redmond, ‘Maz Pantz’ arrives at the Camden Fringe with considerable confidence, promising a character-led sketch show combining physical comedy, mime, cinematic voice-over and cleverly constructed material. Unfortunately, the performance itself falls some considerable distance short of that promise. Across approximately 45 minutes, Redmond introduces an assortment of eccentric characters through a succession of sketches, some of whom return throughout the show. There is certainly imagination behind the concept, and Redmond commits enthusiastically to each creation, employing physicality, recorded sound and exaggerated characterisation to distinguish between them. On paper, this should be a fun show, however the difficulty is that the comedy rarely la...

Dear Lihua – Canal Café Theatre

‘Dear Lihua’ is a highly accomplished piece of theatre, delicately constructed and performed with remarkable tenderness. Written by Xinyi Chen and directed by Zhaoyi Ying, this bilingual English and Mandarin production explore the loneliness of living abroad, the strain of communicating in a language that is not your own and the painful compromises sometimes demanded by cultural assimilation. After dying in London, Qiuqiu awakens in an “English-speaking heaven”, where even the afterlife is governed by bureaucracy and paperwork. To earn enough points to return to China, she is assigned to the “Department of Unanswered Letters” by God, sorting through correspondence that never received a reply. Among the abandoned words, she repeatedly encounters letters addressed to Lihua, gradually ...