Much Ado About Nothing – Birmingham Rep
I always approach Shakespeare tentatively. Not that he’s not good. In fact, I’ve heard many reports that’s he’s one of the best, but I just don’t have the ear for his words. I have trouble keeping up. So, being a thoroughly professional reporter and not wanting to lose the thread or the point or the plot, I chose to bone up prior and read up in the plot. I needed have bothered.
Robert Hastie’s production made the entire plot easily and clearly accessible with a proliferation of signing, signage and surtitles designed to include just about everyone in this all-inclusive, highly-accessible, disability-friendly production. Despite some of the bard’s more esoteric images and clunky metaphors the notions, ideas and thoughts came over crystal clear easily vaulting the Shakespearean language b...