Arsema Thomas Archives - North West End UK

What gives a piece of art its value? Is it purely aesthetic? Is it arbitrary, decided in reverse once a piece’s price is set? Why did Jeff Koons’ Balloon Dog sell for nearly $60 million? These are the questions grappled with by auctioneers Christopher and Milly in Da Vinci’s Laundry when they are forced to go through with a $450 million sale of a recently uncovered Da Vinci that they know is a fake. Keelan Kember's’ choice of high-end art as a subject is full of potential. He paints a picture of a world run by the dirty rich, where art experts’ opinions are reduced to box-ticking exercises that can in any case be overruled by those with enough power. Christopher, the timid auction house representative, is threatened with a 100-foot plummet from a gangster's balcony if he refuses to sell...

The Clare in this story starts off far from poor. She was born into a noble and wealthy family in Assisi in 1194. Religiously pious, at the age of 18 she heard a young man preach and thereafter determined to forego her worldly possessions and devote herself to a life of poverty and God. The young man was Francis, who became the renowned Saint Francis now associated with a simple life, and love of animals and nature. In this dramatisation playwright Chiara Atik chooses to put the issue of wealth distribution at the centre of the play, and also Clare's decision to renounce her former privileged life. She also made the decision to use contemporary vernacular language and forms of speech. So, while the costumes and stage furniture and props were, with a few exceptions, authen...

Tag: Arsema Thomas

Da Vinci’s Laundry – Riverside Studios

Poor Clare – Orange Tree Theatre