Saturday, December 6

Tag: April de Angelis

Playhouse Creatures – Orange Tree Theatre
London

Playhouse Creatures – Orange Tree Theatre

In the intimate setting of Orange Tree’s theatre-in-the-round, the 1660s came visiting. Charles II is on the throne, theatres have reopened, and there is a new creature on the stage – a female actor. The theatre, we are told, was once a bear pit and people came in to watch dancing bears. Now they come to see the women. Directed by Michael Oakley, April De Angelis’ play about five actresses – who were among the very first women in the profession – brings to life real stories from the period. Some of the themes seem like lasting legacies of showbiz, like the way younger faces edge out the old, and pregnancy becoming a full-stop to vibrant careers. Mrs Betterton and Mrs Marshall rule the roost, playing myriad roles from Amazon warriors to powerful queens, before thickly packed audiences...
Extinct – Theatre Royal Stratford East
London

Extinct – Theatre Royal Stratford East

As I walked through the exit doors of Theatre Royal Stratford East, two immediate thoughts struck me. First, a growing feeling of being overwhelmed (in a good way) by something I thought I knew but hadn’t fully grasped until just then. Second, a feeling of (self-conscious) irony that washed over me as I looked around for a recyclable bin to dispose of my complimentary-press-night beverage can. Unable to find one, I settled for a general use bin instead (I know, I know) and made my way home. Through this brief and exceedingly casual act that many of us probably undertake everyday without much thought, I was confronted by the central argument the show represents – human indifference in the face of a global extinction crisis. Extinct is a deeply gripping, hauntingly vivid call for action a...
Mrs Noah Fights Back – Untamed Productions
REVIEWS

Mrs Noah Fights Back – Untamed Productions

This play is a reimagined version of the story of Noah’s Ark – with a strong environmental message and a definite feminist twist on the whole proceedings. Very early on when Noah has finished building his Ark, his wife tells all and sundry, “I’m not getting on that!” which sets the scene for the remainder of the production. The whole play is very tech-heavy, led by the talents of Juliann Pichelski, and starts off with the cast (and audience) participating in a Zoom meeting which, after some decidedly pertinent references to recent Zoom meetings that have gone viral, is interrupted by an extremely angry God who tells all present, “You are destroying nature in cold blood, so I’m finishing you off by sending an almighty great flood!”. Cue Noah’s attempts to save mankind (including himself,...