Anna Fleischle Archives - North West End UK

29Sep

By Michelle KnightNo Comments

London

Punch – Apollo Theatre

“Inspired by the true story Punch” this production at the Apollo Theatre features a small but impressive cast of six and production team credited for bringing this life story to the West End stage. The staging is set to resemble a dark place for a conclave, on the steps, the bridge and on stage which enabled an astonishing style of creative movement, as the actors moved freely and smoothly from character to character, to scene change in synchronised motion. Credit to Leanne Pinder the movement was so emotionally moving aligning with the tragedy and empathy, which I’m sure was felt very strongly by the audience, just WOW. Scenes with strobe and flashing lights, the play has references to violence, death, alcohol and substance misuse. What strikes you in the opening scenes of th...

9Jul

By Holly SewellNo Comments

London

The Constant Wife – Swan Theatre

W. Somerset Maugham’s The Constant Wife, written and set nearly half a century after A Doll’s House, transforms Ibsen’s critiques of marriage into a sparkling 1920s comedy of manners. It’s hard not to compare with Ibsen’s masterpiece, but the purpose here is different: less a rallying cry, more a pragmatic question. What should you do if your perfect husband has an affair? The eponymous Constance is married to the right kind of man, with the right kind of job, in the right kind of house. Unfortunately, the man in question is having an affair with Constance’s best friend. By a stroke of (bad?) luck, Constance catches the two of them in the act - but decides to keep it to herself. Over the course of the next year, she hatches a plan to gain economic independence from her husband in secret...

7Mar

By Sadie PearsonNo Comments

London

Punch – Young Vic

A heartbreaking true story of male violence, working class anger and redemption. And a critical exploration of the systems which breed this. Punch at the Young Vic is essential viewing. James Graham’s Punch is a true story, harrowingly so. In 2011 Nottingham city centre, nineteen-year-old Jacob Dunne, threw one punch at a complete stranger, 28-year-old James Hodgkinson. Nine days later, Hodgkinson was dead and the punch, an act of murder. Based on the book Right from Wrong by Jacob Dunne, Graham’s script pays tender tribute to all those involved and leaves you unquestioning that – through the brutal lack of opportunity which fostered Jacob’s behaviour – everyone in this story is a victim. Directed by Adam Penford, the script is brought to stage with a sensitivity and nuance that is v...

Everybody’s Talking About Jamie – Bradford Alhambra

3Jul

By Paul ClarkeNo Comments

Yorkshire & Humber

Everybody’s Talking About Jamie – Bradford Alhambra

When I was at school in the less enlightened 1970s the mere hint of being different would have earned you a beating, so turning up to an end of year disco in a dress would have been inviting real trouble. So when in our more liberal times Sheffield teenager Jamie New announces he wants to wear a dress to his prom you’d think no-one would care. Sadly, as in most musicals, the road to true self expression is never an easy one as he battles to overcome prejudice and his own insecurities to achieve his dream. Openly gay Jamie doesn’t want to be a forklift driver that his career teacher thinks is his destiny, instead he wants to be a drag queen like the real life character who Dan Gillespie Sells and Tom MaCrae based their lively musical on. It helps that Jamie has the support of his sing...

Everybody’s Talking About Jamie – Sheffield Lyceum

11Apr

By Tracey BellNo Comments

Yorkshire & Humber

Everybody’s Talking About Jamie – Sheffield Lyceum

Seven years after its Premiere at the Crucible Theatre in February 2017, Everybody’s Talking About Jamie returns to its hometown of Sheffield this week. With endless Sheffield references the story can’t fail to be a hit here… and it hits the bullseye! Based on the 2011 Firecracker documentary Jamie: Drag Queen at 16, the true story of Jamie Campbell follows the struggles of his teen years in light of societal bigotry, as he becomes who he was born to be. A boy in a dress and more shockingly at his Prom! Jamie’s journey to acceptance through his tumultuous school years is heightened by the knowledge he is different and doesn’t fit the social norms of the day. His birth father sees him as ‘disgusting’ but amongst all this, Jamie has his supporters none more so than his single Mother, Maur...

3Apr

By Andrew LeeNo Comments

North West

2:22 A Ghost Story – Liverpool Empire

As Danny Robbins (writer) so accurately describes in his introduction in the programme, 2:22 has ghosts in it, and most of the text is about ghosts, but in reality, it is about trust. How would you as a believer react to a sceptically loved one, and vice versa? This play explores dynamics of relationships when your beliefs differ so widely, and this is what has truly made the play a success. When married couple and new parents Jenny (Fiona Wade) and Sam (George Rainsford) cannot agree on the cause of mysterious events in their new home, their trust in each other and strength of their relationship is stripped bare. Helped along by dinner guests Lauren (Vera Chok) and Ben (Jay McGuinness) the couple must prove (or disprove) the cause of the inexplicable happenings. Their beliefs differ on...

28Feb

By Louise PennNo Comments

London

Nachtland – Young Vic

This play by Marius von Mayenberg presented in a translation by Maja Zade sells itself as “a jagged new satire” and is set in modern-day Germany. Siblings Nicola (Dorothea Myar-Bennett) and Philipp (a nervously downtrodden John Heffernan) are clearing out their late father's house. Curiously most of his goods are being cleared from the stage as the audience file in, leaving one item wrapped in brown paper, found in the attic. It’s a painting of a church, a simple piece, but the signature is of the most interest. Is it indeed a painting by Hitler, and if so how did it find its way here? There is plenty of mileage here for black humour or satire, but the pacing feels off and some segues are either head-scratching (Nicola’s husband Fabian (Gunnar Cauthery)’s behaviour takes ...

Everybody’s Talking About Jamie – Wolverhampton Grand

24Jan

By Peter KinnockNo Comments

West Midlands

Everybody’s Talking About Jamie – Wolverhampton Grand

Everybody’s Talking About Finton! Rarely do you get the chance to witness an understudy triumph in a role, but tonight at the Grand was once such moment. Finton Flynn slipped into the title role with big heels to fill which he did with aplomb. A joyous, buoyant comic performance tempered with a well judged dash of poignancy made this performance in equal parts outstanding and endearing. He exploded with assured confidence and squeezed every drop out of line and every lyric. Certainly, a performer to look out for. Elsewhere Rebecca McGinnis more than held her own as Jamie’s long-suffering mother nailing a beautiful ballad in act two. She forms a great comic partnership with Shobna Gulati whose comic heritage is well-known. And Talia Palamathanan is a total delight as Priti and nails o...

Everybody’s Talking About Jamie – Winter Gardens, Blackpool

22Nov

By Damian RiverolNo Comments

North West

Everybody’s Talking About Jamie – Winter Gardens, Blackpool

Blackpool Winter Gardens welcomes West End hit musical Everybody’s Talking About Jamie as part if it’s UK tour. Based on the true story of 16-year-old Jamie Campbell, the boy who wanted to go to prom in a dress, Tom Macrae and Dan Gillespie Sells have created a beautiful story with real heart, and songs that make you smile from ear to ear, to ones that have you crying from emotion. Lead by Ivano Turco as Jamie New, we are treated to a spectacular show, with stunning choreography (Kate Prince), an incredible and multifunctional set and beautiful costumes (Anna Fleischle), and fantastic direction (Matt Ryan and resident director Georgina Hagen). The story revolves around a group of teens ready to face their GCSEs and the more important after exams event, school prom. This is where w...

19Feb

By Caroline WorswickNo Comments

London

The Forest – Hampstead Theatre

French playwright Florian Zeller describes his plays as ‘little labyrinths in which we can get lost, and sometimes, find ourselves’. This play is a masterpiece by the writer, in which its cleverness holds your mind hostage so that it is cornered and coerced into exploring the avenues that the plot leads you down. Written in French, translator Christopher Hampton has interpreted Zeller’s nuances and according to Zeller, their collaboration comes from his deep respect for Hampton’s great sensitivity and precision. It is important to explain that the cleverness of this play is not only due to the writing, but the director Jonathan Kent’s interpretation of the writing, which encourages designer Anna Fleischle to create a three-set stage to enable the cast to play out this ...