Almeida Theatre Archives - North West End UK

15May

By Sadie PearsonNo Comments

London

1536 – Almeida Theatre

A period drama which couldn’t be more pertinent, 1536 by Ava Pickett is a triumph of feminist rage against a system which is perpetually rigged against women. The trail of Anne Boylen seen through the eyes of three anonymous women - stripping patriarchal attitudes down to bare bones, this electrifying drama exposes – with a warning claxon – the dangerously well-trodden path toward female subjugation. It is not a play to be missed. ‘History is told by victors. And for most of history, men have been the victors’ states Suzannah Lipscomb in the programme’s foreword. This is a play which inverts that narrative. In a small village near Essex, Anna (Siena Kelly). Jane (Liv Hill) and Mariella (Tanya Reynolds) gather in their seclusion of their childhood meeting place, hungry for London’s gossi...

5Apr

By Anisha PucadyilNo Comments

London

Rhinoceros – Almeida Theatre

Deeply relatable, remarkably crafted and rooted in reality. Rhinoceros was originally written by Eugène Ionesco in 1959. Based on his personal experience of dissenting Nazi propaganda and bursting left-wing disbelief of the growth of fascism. The play is already rich with symbolism, metaphors and satire. It makes a mark not just with the doyens of theatre who have come together for this production. Hayley Carmichael, Paul Hunter and Alan Williams bring effortless wit and candour to their roles. Director Omar Elerian walks the tightrope of bringing humour in recreating the everyday. He also brings into sharp focus the political reality in our everyday interactions. The crowd engagement tools offer a live example of how and how much humans are willing to follow. Movement Director: Toby Se...

25Feb

By Ben PearsonNo Comments

London

Otherland – Almeida Theatre

Otherland is a remarkable, poignant, and emotionally all-encompassing play that explores love, the beautiful and terrifying nature of change, and the ‘many myriads’ of womanhood. In her ‘Note from the Author’, Chris Bush states that she aimed to ‘write with a vulnerability’ she never had before, but nonetheless create a ‘theatrically expansive… rollercoaster’. Well, if that was the goal, she’s passed with flying colours. Jo and Harry, despite a picture-perfect wedding and 5 years or marriage, are breaking up. Harry, assigned male at birth, needs to become her true self and Jo, though entirely supportive of Harry’s decision, needs space to figure out what she wants. She wants to be ‘unplugged’, for a while at least. We’re offered a window into their lives and the journeys they go on, bot...

20Dec

By Olivia CoxNo Comments

London

Cat on a Hot Tin Roof – Almeida Theatre

Hot off two acclaimed productions of Tennessee Williams’s Summer and Smoke and A Streetcar Named Desire, Rebecca Frecknall and the Almeida Theatre are reunited once more in her new staging of three-act play Cat on a Hot Tin Roof. But can she make it a hat trick? One of Williams’s most famous plays — and reportedly his favourite — Cat on a Hot Tin Roof tackles family dysfunction, falsehoods, and the fear of death. Gathering for patriarch Big Daddy’s (Lennie James) 65th birthday, alcoholic son Brick (Kingsley Ben-Adir) and rags-to-riches wife Maggie (Daisy Edgar-Jones) confront their crumbling relationship amid a web of lies about Big Daddy’s ailing health. Having undergone recent tests, Big Daddy and Big Mama (Clare Burt) have been told he’s in the clear. It’s only his children who know ...

3Oct

By Paul AckroydNo Comments

London

Look Back in Anger – Almeida Theatre

Renowned as a theatrical landmark, John Osborne's 1956 play changed the face of British theatre forever with its gritty realism. For such an important play it is surprisingly infrequently performed. I have only seen it once before and had forgotten what a powerful piece of drama it is. Staged at the Almeida Theatre in repertory with 'Roots', Arnold Wesker's renowned play of the same era, it forms what they have titled 'Angry and Young' season. The most striking thing about director Atri Banerjee’s production is the dispensing of a realistic set, which was one of the hallmarks of the original production and presenting it on a bare circular stage with an outer ring revolve and an inner ring lift. The lift was used for raising the few pieces of set furniture that were needed, a table and t...

15Apr

By Zara OdetundeNo Comments

London

The Comeuppance – Almeida Theatre

The Comeuppance is the first offering of the Almeida’s 2024 season as a thought-provoking piece of theatre that will leave the audience reflecting on their own lives. The Comeuppance takes place at the pre drinks of a circle of high school friends who reunite before they attend their 20th high school reunion. Many haven’t seen each other for years and each person is at a different point in their lives, as they reconnect and share old memories and inside jokes, another presence is hovering on the outskirts. Death. Branden Jacobs-Jenkins writes a play in which the characters are exploring their perspective of mortality and maturity. They have all grown up since they have last seen each other and have started to reflect on their choices and the consequences of them, all the what ifs and...

27Aug

By Gemma PrinceNo Comments

London

A Mirror – Almeida Theatre

‘This Play is a Lie’ is the perfect way to describe Sam Holcroft’s bold new play. Directed by Jeremy Herrin, A Mirror explores censorship, free speech and what it means to be an author and artist in an Orwellian world. The foyer is decked out in pastel-hued balloons, fairy lights, and a disco ball to look like a wedding reception. Upon entering the theatre, the actors were milling around the stage like wedding guests and we are asked to stand for the bride as she makes her entrance. All the little details point to an ordinary marriage ceremony until you glance at the Order of Service placed on each chair, with a slightly sinister Oath of Allegiance on the back page. It is then revealed that the wedding is merely a cover, as soon as the uniformed guards are away, the flowers are quickly ...

The Secret Life of Bees – Almeida Theatre

22Apr

By Akshay RahejaNo Comments

London

The Secret Life of Bees – Almeida Theatre

Set in South Carolina in 1964 and tells the story of Rosaleen, who is fighting for her right to vote, and Lily, who is trying to escape her abusive father. Together, they seek refuge at a remote honeybee farm run by the Boatwright sisters. Abiona Omonua, who played Rosaleen, was the standout performer. The ensemble cast also did an excellent job, including Eleanor Worthington-Cox as Lily, Ava Brennan as June, Tarinn Callender as Neil, Madeline Charlemagne and Shekinah Mcfarlane as the daughters of Mary, Danielle Fiamanya as May, Richard James-Neale as multiple characters, Rachel John as August, Mark Meadow as T-Ray, and Noah Thomas as Zachary. While there were a few moments where the dramatic moment could be anticipated in the performer’s body, overall, the performances were strong and ...

Women, Beware the Devil – Almeida Theatre

24Feb

By Alan Stuart MalinNo Comments

London

Women, Beware the Devil – Almeida Theatre

‘Women, Beware the Devil’ is a brand-new play by Lulu Raczka, and directed by Rupert Goold that manages to both dazzle and confound in equal measures. It takes place in 17th century England during a time of political turmoil and witch hunts and features a cast of strange and unconventional characters. At the start of the play, the devil himself (Nathan Armarkwei-Laryea) acts as the master of ceremonies, welcoming the audience and guiding them into the intricate and somewhat confusing plotline of the De Clare family. Lady Elizabeth De Clare (Lydia Leonard) is hatching a scheme to cling on to the luxurious family home. She has schemed to arrange a marriage of convenience between her brother Edward (Leo Bill) and Katherine (Ioanna Kimbook), the wealthy daughter of a shipbuilder, in the hop...

15Jul

By Klervi GavetNo Comments

London

Patriots – Almeida Theatre

How do you make a grown Russian man sing? Give him a piano and some vodka. How do you make him cry? Take him away from the Motherland. Patriots has all the hallmarks of a good political drama. Court intrigues, outrageous backdoor deals, international conflict, even memorable, poisonous assassinations… It is after all the new play of Peter Morgan, best known for his historical hits such as Netflix’s The Crown, The Audience, or Frost/Nixon. Here Morgan examines the making of oligarchs in post-soviet Russia and the rise of one Vladimir Putin from deputy mayor of Saint Petersburg to President of the Russian Federation, all through the eyes of mathematician genius turned businessman and kingmaker, Boris Berezovsky. Directed by Almeida Artistic Director Rupert Goold, this production often ...