Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Wednesday, April 9

Tag: Alice Bell

Be More Chill – University of Sheffield Drama Studio
Yorkshire & Humber

Be More Chill – University of Sheffield Drama Studio

SUPAS’ production of ‘Be More Chill’ demonstrates there is a strong future in the next generation of creatives, with the only question being left asked of them is to try and emulate more faith in their own abilities and a slightly enhanced focus to get them to the next level. Alice Bell’s direction of Joe Iconis and Joe Tracz’s text, based on Ned Vizzini’s novel, is good. Transitions tend to avoid interrupting the action and there is a strong sense of narrative peaks and troughs successfully struck upon. Although Daniel Brown’s set design is easy on the eye with its simple-but-effective approach, the play is proxemically stagnant and there is no great use of the abundance of depth and height there is to utilise. Bell tidies this up nicely, however, with some great texturing of scenes us...