Alexander Bean Archives - North West End UK

17Mar

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NEWS

New Vic Theatre stages brand new adaptation of A Matter of Life and Death

Staffordshire’s The New Vic Theatre will produce a rare stage adaptation of Michael Powell and Emeric Pressburger’s cinematic masterpiece A Matter of Life and Death on their in-the-round stage. It’s been adapted by Artistic Director Theresa Heskins, who also directs, the production will open on Friday 28th March and run until Saturday 19th April. It’s 1945 and British Pilot Peter Carter’s plane goes down just off the coast of England he doesn’t expect to survive, but miraculously, after leaping from his burning plane without a parachute, he finds himself face-to-face with June, the American radio operator who kept him company on his final journey. As the pair fall instantly and deeply in love, Peter discovers a celestial error has occurred – he was supposed to die bu...

One Man, Two Guvnors – Liverpool Playhouse

Liverpool Playhouse Theatre welcomes The West End and Broadway hit comedy “One Man, Two Guvnors”. Following its roaring success when the show was first performed in 2011 and starred James Cordon, it is a delight to see production companies ‘Octagon Theatre Bolton’ and ‘Theatre by the Lake’ have taken this show on the road and is gracing our Liverpool Playhouse stage this summer. The audience are welcomed by the sweet tones of the cast who also make up the house band in this production. Elevated on the first floor of a striking set, the band set the mood for this fun, energetic production set in 1963. The theatre is alight with flashing bulbs that give fantastic seaside holiday vibes, in keeping with the Brighton setting. The story begins in the home of Charlie (Rodney Mat...

Tempest – Pleasance Theatre

The production of the Tempest by Wildcard Theatre, currently running at the Pleasance Theatre is rather like the two-headed beast that Caliban and Trinculo create in act 2 scene 2 of Shakespeare's play, having two heads. One head is a serious attempt to present Shakespeare's famous play, the other the desire for a light-hearted music inspired evening. Instead of working together towards a common purpose the tension between them detracted from what could have been an extremely fine and inventive production. Pleasance Theatre’s main auditorium was a set out with tables rather than banks of auditorium seats, and the production took place on revolving stage, bare except for a metal construction of steps and stairs which was used inventively by the director, James Meteyard, for t...