Hairspray – Edinburgh Playhouse
‘Save your personal life…’ instructs Velma Von Tussle ‘… for the camera, Sweetie.’
She, back in ‘62 (OK, John Waters in the mid 80’s) had clearly seen something in a crystal ball about TV beyond the early 90’s. Despite how prescient this observation, it was soon overwhelmed by a production possessing strength, power and above all… rhythm. The dialogue - sharp and indestructible as a diamond – swung perfectly between the songs and vice versa, but where musicals can often find themselves staffed by good actors who can sing and dance a little, or good singers/dancers who can act a bit, this had a cast capable of handling it all. Of a Dick Van Dyke accent catastrophe there was barely a flicker. Not a cue nor a laugh was missed.
It’s scarcely believable that this was the professional debu...