Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, April 6

Tag: Alastair Wheatley

Birdsong – Leeds Playhouse
Yorkshire & Humber

Birdsong – Leeds Playhouse

There’s been plenty of novels about the First World War, but Sebastian Faulks’s Birdsong was one of the best, blending a love story and the cost of that conflict’s carnage, so it was a natural for a stage adaptation. It’s now over a decade since Rachel Wagstaff’s first adaptation of Birdsong, and all the Tommies who fought in the so called war to end all wars are now dead. Ironically the world still seems intent on blowing itself up, so Wagstaff’s reworked revival with a stark new set by Richard Kent was a timely reminder that war is a terrible business that solves nothing. This three act - and rare two interval - version opened with callow Englishman Stephen Wraysford visiting France to view a struggling factory whereupon he fell helplessly in love with the owner’s wife Isabelle. De...